The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 1 (of 6): Mémoires d'outre-tombe, volume 1Chateaubriand, François-René, vicomte de
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The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 1 (of 6): Mémoires d'outre-tombe, volume 1
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
To this day the country-side retains traces of its origin: intersected
by wooded ditches, it presents at a distance the aspect of a forest,
and reminds one of England; it was the abode of the fairies, and you
shall see that I did, in fact, meet a sylph there. Narrow dales are
watered by shallow rivulets. These dales are separated by moors and
by tufts and clusters of holly-trees. The coast presents an array
of beacons, lookouts, dolmens, Roman structures, ruins of mediæval
castles, Renascence steeples: all bordered by the sea. Pliny calls
Brittany, _Peninsula Oceani spectatrix_[81].
Between the sea and the land stretch pelagian plains, the fickle
frontier of the two elements: there the field-lark flies with the
sea-lark; the plough and the bark furrow the earth and the water at a
stone's throw one from the other. The sailor and the shepherd borrow
each other's language: the seaman says, "The waves are fleecy;" the
herd speaks of "fleets of sheep." Sands of changing colours, banks
variegated with shells, wreckage, fringes of silver foam line the green
or yellow edge of the corn-fields. I cannot recall the name of the
island in the Mediterranean in which I saw a bas-relief representing
nereids decorating with festoons the hem of Ceres' robe.
But what is most admirable in Brittany is to see the moon rising on
land and setting upon the sea. The moon, by divine creation governess
of the deep, has her clouds, her mists, her beams, her projected
shadows like the sun; but, unlike the latter, she does not set alone:
a retinue of stars accompanies her. As, upon my native coast, she
descends the vault of heaven, she extends her silence, and communicates
it to the sea; soon she sinks to the horizon, intersects it, shows
but the half of her forehead, which diminishes, dips, and disappears
in the yielding intumescence of the waves. The stars attendant upon
their queen, before plunging in her train, seem to pause suspended upon
the crest of the billows. No sooner has the moon set, than a gust of
wind from the open sea shatters the picture of the stars, like candles
extinguished after a celebration.
*
I was to accompany my sisters to Combourg: we set out in the first
fortnight in May. We left Saint-Malo at sunrise, my mother, my four
sisters and I, in a huge, antiquated berlin, with double-gilt panels,
outside steps, and purple tassels at the four corners of the roof. To
this were harnessed eight horses caparisoned like the mules in Spain,
with bells at their collars and bridles, and housings and fringes
of wool of many colours. While my mother was sighing and my sisters
talking themselves out of breath, I looked with all my eyes, listened
with all my ears, was wonderstruck at each turn of the road: the first
steps of a Wandering Jew who was never to stop. Even then, if man
changed only his surroundings! But his days change, and his heart.
[Sidenote: First view of Combourg.]
Public-domain text, read in full here on John Shaqi.
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