The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6Chateaubriand, François-René, vicomte de
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The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
At six o'clock in the morning, they come to their gondolas, fastened
to posts with their prows aground. Then they begin to scrape and wash
their _barchette_ at the _Traghetti_, just as dragoons curry, brush and
sponge their horses on picket. The ticklish sea-horse is restive and
refuses to stand still under the movements of its horseman, who draws
water in a wooden vessel and pours it over the sides and into the well
of the craft. He several times repeats the aspersion, taking care to
discard the water from the surface of the sea in order to obtain the
cleaner water below. Then he scrubs the oars, polishes the brasses
and the glass of the little black deck-house, dusts the cushions and
carpets and rubs up the iron head of the prow. The whole is not done
without a few words of humour or affection addressed, in the pretty
Venetian dialect, to the skittish or docile gondola.
When the gondola's toilet is completed, the gondolier proceeds to make
his own. He combs his hair, shakes out his jacket and his blue, red
or grey cap, washes his face, feet and hands. His wife, daughter or
mistress brings him a bowl containing a mess of vegetables, bread and
meat. Breakfast over, each gondolier awaits Fortune, singing: he has
her before his eyes, one foot in the air, holding out her scarf to the
wind and serving as a weather-cock, at the top of the monument of the
Dogana di Mare. Does she give the signal? The favoured gondolier, with
oar upraised, starts out at the back of his craft, even as Achilles
used to fly in former days, or as one of Franconi's[122] circus-riders
gallops to-day on the crupper of a fiery steed. The gondola, shaped
like a skate, glides over the water as over ice: "_Sia, stati! Sta
longo!_" that does for the whole day. Then night comes, and the _calle_
will see my gondolier singing and drinking with his _zitella_ the
half-sequin which I leave him, as I go off most certainly to replace
Henry V. on the throne.
VENICE, _September_ 1833.
I was trying to find out, when I woke, why I liked Venice so much,
when I suddenly remembered that I was in Brittany: it was the force of
kindred that found utterance within me. Was there not, in Cæsar's
time, in Armorica, a country of the Veneti[123]: _civitas Venetorum,
civitas Venetica?_ Has not Strabo "said that they said" that the
Veneti[124] were the descendants of the Veneti of Gaul?
It has been contradictorily held that the fishermen of Morbihan were
a colony of the _pescatori_ of Palestrina: Venice, then, would be the
mother and not the daughter of Vannes[125]. One can reconcile this by
supposing, which for that matter is very probable, that Vannes and
Venice were mutually brought to bed of one another. I therefore look
upon the Venetians as Bretons; the gondoliers and I are cousins, sprung
from the horn of Gaul: _cornu Galliæ._[126]
[Sidenote: On the Riva degli Schiavoni.]
Public-domain text, read in full here on John Shaqi.
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