The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 20: MilanCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 20: Milan
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
The ladies took more time on account of their hair, which floated on
their shoulders in fine disorder. Mdlle. Q----'s hair was especially
fine, it extended almost to her knees.
When they were ready the door was opened, and we saw everything which
could excite desire without wounding decency. I admired Zenobia's
adroitness. The rents in dresses and chemises disclosed parts of their
shoulders, their breasts, and their arms, and their white legs shone
through the holes in the stockings.
I shewed them how to walk, and to sway their heads to and fro, to excite
compassion, and yet be graceful, and how to use their handkerchiefs to
shew people the tears in them and the fineness of the lace. They were
delighted, and longed to be at the ball, but I wanted to be there first
to have the pleasure of seeing them come in. I put on my mask, told
Zenobia to go to bed, as we would not be back till daybreak, and set out
on my way.
I entered the ball-room, and as there were a score of Pierrots nobody
noticed me. Five minutes after there was a rush to see some maskers who
were coming in, and I stood so as to have a good view. The marquis came
in first between the two cousins. Their slow, pitiful step matched the
part wonderfully. Mdlle. Q---- with her flame-coloured dress, her splendid
hair, and her fine shape, drew all eyes towards her. The astonished and
inquisitive crowd kept silence for a quarter of an hour after they had
come in, and then I heard on every side, "What a disguise!" "It's
wonderful!" "Who are they?" "Who can they be?" "I don't know." "I'll find
out."
I enjoyed the results of my inventiveness.
The music struck up, and three fine dominos went up to the three
beggar-girls to ask them to dance a minuet, but they excused themselves
by pointing to their dilapidated shoes. I was delighted; it shewed that
they had entered into the spirit of the part.
I followed them about for a quarter of an hour, and the curiosity about
them only increased, and then I paid a visit to Canano's table, where
play was running high. A masquer dressed in the Venetian style was
punting on a single card, going fifty sequins paroli and paix de paroli,
in my fashion. He lost three hundred sequins, and as he was a man of
about the same size as myself people said it was Casanova, but Canano
would not agree. In order that I might be able to stay at the table, I
took up the cards and punted three or four ducats like a beginner. The
next deal the Venetian masquer had a run of luck, and going paroli, paix
de paroli and the va, won back all the money he had lost.
The next deal was also in his favour, and he collected his winnings and
left the table.
I sat down in the chair he had occupied, and a lady said,--
"That's the Chevalier de Seingalt."
"No," said another. "I saw him a little while ago in the ball-room
disguised as a beggar, with four other masquers whom nobody knows."
"How do you mean, dressed as a beggar?" said Canano.
Public-domain text, read in full here on John Shaqi.
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