The Memoirs of Jacques Casanova de Seingalt, Vol. VI (of VI), "Spanish Passions": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. VI (of VI), "Spanish Passions": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
What I liked best about the spectacle was a wonderful and fantastic dance which was struck up at midnight. It was the famous fandango, of which I had often heard, but of which I had absolutely no idea. I had seen it danced on the stage in France and Italy, but the actors were careful not to use those voluptuous gestures which make it the most seductive in the world. It cannot be described. Each couple only dances three steps, but the gestures and the attitudes are the most lascivious imaginable. Everything is represented, from the sigh of desire to the final ecstasy; it is a very history of love. I could not conceive a woman refusing her partner anything after this dance, for it seemed made to stir up the senses. I was so excited at this Bacchanalian spectacle that I burst out into cries of delight. The masker who had taken me to his box told me that I should see the fandango danced by the Gitanas with good partners.
“But,” I remarked, “does not the Inquisition object to this dance?”
Madame Pichona told me that it was absolutely forbidden, and would not be danced unless the Count of Aranda had given permission.
I heard afterwards that, on the count forbidding the fandango, the ball-room was deserted with bitter complaints, and on the prohibition being withdrawn everyone was loud in his praise.
The next day I told my infamous page to get me a Spaniard who would teach me the fandango. He brought me an actor, who also gave me Spanish lessons, for he pronounced the language admirably. In the course of three days the young actor taught me all the steps so well that, by the confession of the Spaniards themselves, I danced it to perfection.
For the next ball I determined to carry the masker’s advice into effect, but I did not want to take a courtezan or a married woman with me, and I could not reasonably expect that any young lady of family would accompany me.
It was St. Anthony’s Day, and passing the Church of the Soledad I went in, with the double motive of hearing mass and of procuring a partner for the next day’s ball.
I noticed a fine-looking girl coming out of the confessional, with contrite face and lowered eyes, and I noted where she went. She knelt down in the middle of the church, and I was so attracted by her appearance that I registered a mental vow to the effect that she should be my first partner. She did not look like a person of condition, nor, so far as I could see, was she rich, and nothing about her indicated the courtezan, though women of that class go to confession in Madrid like everybody else. When mass was ended, the priest distributed the Eucharist, and I saw her rise and approach humbly to the holy table, and there receive the communion. She then returned to the church to finish her devotions, and I was patient enough to wait till they were over.
Public-domain text, read in full here on John Shaqi.
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