The Messiah of the CylinderEmanuel, V. R. (Victor Rousseau)
Philosophy
The Messiah of the Cylinder
Emanuel, V. R. (Victor Rousseau)
Science fiction
“Yes, it used to be called the totem, or group marriage, and was
confined to the most degraded savages on earth, the Aborigines of
Australia,” I answered. But the little man, who had evidently not heard
of Australia, only looked at me blankly. A rush of people toward the
next hall carried us apart, and, not loath to lose my companion, I
followed the crowd, to find myself in the immense central auditorium,
within which orators were addressing the people from various platforms.
Upon that nearest me a lecturer was holding forth with the enthusiasm of
some Dominican of old.
“Produce! Produce!” he yelled, with wild gesticulations. “Out with the
unproductive who cannot create a hektone and a quarter monthly! Out with
the moron! Out with the defective! Out with the unadaptable! Out with
the weak! Out with him who denies the consubstantiality of Force and
Matter! No compromise! Sterilize, sterilize, as Doctor Sanson demands of
you! There are defectives in the shops today, spreading the moron
doctrines of Christianity. There are asymmetries and variations from the
Sanson norm, cunningly concealed, legacies of malformations from
degenerate ancestors, impure germ-plasm that menaces the future of the
human race. Let us support Sanson, citizens! Go through the city with
sickle and pruning-hook for the perfect race of the future, in the name
of democracy! Praise the great Boss!”
“Hurrah!” shrieked the mob enthusiastically.
“Will you not go up and see the Temple goddess?” whispered a voice in my
ear.
I started, but I could not discern the speaker. I looked up. On either
side of the auditorium a high staircase of gleaming marble led to a
gallery which surrounded it. Doors were set in the wall of this in many
places, and above were more stairs and more galleries, tier above tier.
At the head of each stairway one of the guards was posted. He stood
there like a statue, picturesque in his blue uniform, which made a
splotch of color against the white marble wall.
“Go up and ask no questions,” whispered somebody on my other side; and
again I turned quickly, but none of those near me seemed to have spoken.
I went up the stairway, passing the guard, who did not stop or question
me. As I stopped in the gallery, high above the auditorium, a door
opened, and there came out a man of extreme age, dressed in white, with
a gold ant badge on either shoulder. He propped himself upon a staff,
and stood blinking and leering at me, and wagging his head like a
grotesque idol.
“A stranger!” he exclaimed. “So you have come to see the goddess of the
Ant Temple! Would you like to stand upon the altar platform and see her
face to face? It only costs one hektone, but it is customary to offer a
gratuity to the assistant priest.”
Public-domain text, read in full here on John Shaqi.
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