The Middy and the Moors: An Algerine StoryBallantyne, R. M. (Robert Michael)
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The Middy and the Moors: An Algerine Story
Ballantyne, R. M. (Robert Michael)
Adventure stories; Algeria -- Fiction
"`Is _he_ all safe, Angelica,' says I--`massa, I mean?'
"`Oh, I t'ought you meant de Dey!' says she. `Oh yes; massa's all
right; nuffin'll kill massa, he's tough. And de Dey, he's all right
too.'
"`Das good, Angelica,' says I, feelin' quite sweet, for I was beginnin'
to remember what had took place.
"`Yes, das _is_ good,' says she; `an', Peter, your fortin's made!'
"`Das awk'ard,' says I, `for I ain't got no chest or strong box ready to
put it in. But now tell me, Angelica, if my fortin's made, will you
marry me, an' help to spend it?'
"`Yes, I will,' says she.
"I was so took by surprise, Geo'ge, when she say dat, I sprung up on one
elber, an' felled down agin wid a howl, for two o' my ribs had been
broke.
"`Neber mind de yells, Angelica,' says I, `it's only my leetle ways.
But tell me why you allers refuse me before an' accep' me _now_. Is
it--de--de fortin?' Oh, you should have seen her pout w'en I ax dat.
Her mout' came out about two inch from her face. I could hab kissed
it--but for de broken ribs.
"`No, Peter, for shame!' says she, wid rijeous indignation. `De fortin
hab nuffin to do wid it, but your own noble self-scarifyin' bravery in
presentin' your buzzum to de Dey ob Algiers.'
"`T'ank you, Angelica,' says I. `Das all comfrably settled. You's a
good gall, kiss me now, an' go away.'
"So she gib me a kiss an' I turn round an' went sweetly to sleep on de
back ob dat--for I was awrful tired, an' de ribs was creakin' badly."
"Did you marry Angelica?" asked our middy, with sympathetic interest.
"Marry her! ob course I did. Two year ago. Don' you know it's her as
cooks all our wittles?"
"How could I know, Peter, for you never call her anything but `cook?'
But I'm glad you have told me, for I'll regard her now with increased
respect from this day forth."
"Das right, Geo'ge. You can't pay 'er too much respec'. Now we'll go
an' look at de works."
The part of the wall which the slaves were repairing was built of great
blocks of artificial stone or concrete, which were previously cast in
wooden moulds, left to harden, and then put into their assigned places
by slave-labour. As Foster was watching the conveyance of these blocks,
it suddenly occurred to him that Hester Sommers's father might be
amongst them, and he scanned every face keenly as the slaves passed to
and fro, but saw no one who answered to the description given him by the
daughter.
Public-domain text, read in full here on John Shaqi.
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