The Middy and the Moors: An Algerine StoryBallantyne, R. M. (Robert Michael)
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The Middy and the Moors: An Algerine Story
Ballantyne, R. M. (Robert Michael)
Adventure stories; Algeria -- Fiction
Throwing down his garden tools, Foster followed the negro to the house,
and was ushered into a small chamber, the light of which was rendered
soft and mellow, by the stained glass windows through which it passed.
These windows were exceedingly small--not more than a foot high by eight
inches broad--and they were placed in the walls at a height of nine feet
or more from the ground. The walls of the room were decorated with
richly-coloured tiles, and the floor was of white marble, but the part
that attracted our hero most was the ceiling, which was arched,
according to Moorish form, and enriched with elaborate designs in
stucco--if not in white marble, the difference being difficult to
distinguish. On the marble floor lay several shawls, richly embroidered
in coloured silk and gold, a pair of small scarlet slippers, covered
with gold thread, a thin veil, and several cushions of different sizes.
On one of these last reposed a little tame gazelle, whose bright eyes
greeted the two slaves with an inquiring look as they entered.
From all these things Foster judged that this was one of the women's
apartments, and wondered much that he had been admitted into such a
jealously-guarded sanctuary, but relieved his mind by setting it down to
that eccentricity for which Ben-Ahmed was noted.
He had just arrived at this conclusion when a door opened, and Ben-Ahmed
himself entered with the sketch of the coffee-house in his hand.
"Tell him," said the Moor to Peter, "that I am much pleased with this
drawing, and wish him to make one, a little larger in size, of this
room. Let him put into it everything that he sees. He will find paper
in that portfolio, and all else that he requires on this ottoman. Let
him take time, and do it well. He need not work in the garden while
thus employed."
Pointing to the various things to which he referred, the Moor turned and
left the apartment.
"Now, Geo'ge, what you t'ink ob all dat?" asked Peter, with a broad
grin, when he had translated the Moor's orders.
"Really I don't know what to think of it. Undoubtedly it is a step
upwards, as compared with working in the garden; but then, don't you
see, Peter, it will give me much less of your company, which will be a
tremendous drawback?"
"Das well said. You's kite right. I hab notice from de fus' dat you
hab a well-constitooted mind, an' appruciates de value ob friendship. I
lub your smood face, Geo'ge!"
"I hope you love more of me than my smooth face, Peter," returned the
middy, "otherwise your love won't continue, for there are certain
indications on my upper lip which assure me that the smoothness won't
last long."
"Hol' your tongue, sar! What you go on jabberin' so to me when you's
got work to do, sar!" said Peter fiercely, with a threatening motion of
his fist. "Go to work at once, you white slabe!"
Public-domain text, read in full here on John Shaqi.
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