The Miracles of Antichrist: A NovelLagerlöf, Selma
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The Miracles of Antichrist: A Novel
Lagerlöf, Selma
Sicily (Italy) -- Fiction; Socialism -- Fiction
At last Gaetano had found the long candle-boxes that stood under the
counter, where they had always stood. And he gave her the candle, but
he did not know what it cost, and said that she could come in and pay
it later. When she asked him for something to wrap it in he was in such
trouble that she had to help him to look.
It grieved her that such a man should think of travelling to Argentina.
He let Donna Micaela wrap up the candle and watched her while she did it.
She wished she could have asked him not to look at her now, when her face
reflected only hopelessness and misery.
Gaetano had not scrutinized her features more than a moment before he
sprang up on a little step-ladder, took down an image from the topmost
shelf, and came back with it to her. It was a little gilded and painted
wooden angel, a little San Michele fighting with the arch-fiend, which he
had created from paper and wadding.
He handed it to Donna Micaela and begged her to accept it. He wished to
give it to her, he said, because it was the best he had ever carved. He
was so certain that it had greater power than his other images that he
had put it away on the top shelf, so that no one might see and buy it.
He had forbidden Donna Elisa to sell it except to one who had a great
sorrow. And now Donna Micaela was to take it.
She hesitated. She found him almost too daring.
But Gaetano begged her to look how well the image was carved. She saw
that the archangel’s wings were ruffled with anger, and that Lucifer was
pressing his claws into the steel plate on his leg? Did she see how San
Michele was driving in his spear, and how he was frowning and pressing
his lips together?
He wished to lay the little image in her hand, but she gently pushed it
away. She saw that it was beautiful and spirited, she said, but she knew
that it could not help her. She thanked him for his gift, but she would
not accept it.
Then Gaetano seized the image and rolled it in paper and put it back in
its place.
And not until it was wrapped up and put away did he speak to her.
But then he asked her why she came to buy wax candles if she was not a
believer. Did she mean to say that she did not believe in San Michele?
Did she not know that he was the most powerful of the angels, and that
it was he who had vanquished Lucifer and thrown him into Etna? Did she
not believe that it was true? Did she not know that San Michele lost a
wing-feather in the fight, and that it was found in Caltanisetta? Did she
know it or not? Or what did she mean by San Michele not being able to
help her? Did she think that none of the saints could help? And he, who
was standing in his workshop all day long, carving saints!--would he do
such a thing if there was no good in it? Did she believe that he was an
impostor?
But as Donna Micaela was just as strong a believer as Gaetano, she
thought that his speech was unjust, and it irritated her to contradiction.
Public-domain text, read in full here on John Shaqi.
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