The Miraculous Medal: Its Origin, History, Circulation, ResultsAladel, Jean-Marie
Religion
The Miraculous Medal: Its Origin, History, Circulation, Results
Aladel, Jean-Marie
Labouré, Catherine, Saint, 1806-1876; Mary, Blessed Virgin, Saint; Miraculous Medal
5th. The extraordinary graces obtained through the
instrumentality of the medal, cures and conversions, several
of which are legally attested by the deposition of reliable
witnesses, who appeared before the Promoter and signed the
verbal process, give a last proof to the fact it was sought to
establish, namely, that the Miraculous Medal must be of divine
origin. Such is the formal conclusion, in the report addressed
to the Archbishop by the Promoter, at the end of the inquiry.
Unfortunately, the ecclesiastical authority did not pronounce judgment;
we know not why the inquiry did not receive the sanction to which it
apparently led. The death of Mgr. de Quélen, at the end of the year
1839, caused all proceedings to be abandoned. Everything remains still
in the domain of private devotions, and the model of the Immaculate
Virgin, with its symbolical attributes, is not yet authorized as an
object of public veneration in the churches.
This deplorable omission is so much the more difficult to understand,
as, personally, Mgr. de Quélen took a serious interest in the
apparition of 1830, the compass of which he comprehended. It was he who
urged M. Aladel to have the medal struck; he expressed a wish to have
some of the first; he received them, and experienced their efficacy.
Before ordering the investigation, he had summoned to him the Mother
General of the Daughters of Charity, together with the officers forming
her council, and other Sisters well versed in Community affairs, to
learn from them what usages of the Community could have drawn down upon
it such a favor as the Blessed Virgin had just bestowed. Not content
with possessing the Miraculous Medal, the pious prelate had in his own
chamber a statue of the Immaculate Conception after the Sister's model.
It was cast in bronze, under his own eyes, as he wished to assist at
the operation. When, in 1839, the solemn octave of the Immaculate
Conception was celebrated in the diocese of Paris, for the first time,
this statue, on a throne surrounded with flowers, was exposed to the
veneration of the faithful. The 1st of January of this same year, he
consecrated his diocese to Mary Immaculate.
In commemoration of this, he had a picture painted, which represents
him standing at the foot of Mary's statue, his eyes fixed upon her
with love and confidence. The statue rests upon a globe which bears
these words: "_Virgo fidelis_." And the invocation, "_Regina, sine labe
concepta, ora pro nobis_," is inscribed upon the picture.
On the Feast of the Assumption, he presented this picture to his
chapter, that it might, he said, be a monument of his devotion and
that of the chapter of Paris to the Immaculate Conception of the Mother
of God.[12]
[Footnote 12: "Life of Mgr. de Quélen," by the Baron Henrion.]
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