The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810Arnold, Samuel James
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810
Arnold, Samuel James
Drama -- Periodicals; Theater -- Periodicals
It was now confidently reported, that the days of Jeremy Collier had
returned: that the theatres were to be shut up, his majesty's servants
to receive their arrears of scarlet cloth, for regimentals to serve him
in the capacity of foot-soldiers: that the slayers of Syntax, who had
stuffed their mouths with melo-drames, and other pernicious compounds,
were to turn hewers of wood, and that your worship would license no
pantomimes, except those exhibited in the Blackfriars and
Tottenham-court roads.
This intelligence rather pleased than alarmed me. I believed it only to
a certain extent, conceiving the fact to be, that my respected patron
was sick of silk banners and Peruvian suns, exhausting more gold than
they engendered, and that a ray of true taste was hereafter to dawn upon
the dramatic horizon. "The theatre," exclaimed I, "is the school of
morality; and morality and religion are inseparable." Without stopping
to prove my syllogism, I seized my commentary, and with a head and a
great-coat pocket full of my immortal labours, called once more in
Portland-place. You received me with civility, desired me to take a
seat, and treated me with a cup of chocolate, declining to take any
yourself, on account of a nausea at your stomach, which I ascribed to a
certain sentimental pill you had lately swallowed, rolled up in the
shape of a comedy, and for which I undertook to prescribe. You requested
me with eagerness to do so, and I drew my manuscript from my pocket,
thinking the golden moment at hand. I conjured you to consider, that in
dramatic entertainments the love of show was like the love of money, and
increased by indulgences, beyond the power of a manager to gratify: I
proved by mathematical demonstration, that small theatres wanted nothing
but good dialogue to support them: I entreated you to send your gorgeous
trumpery to rag-fair, and to diminish your overgrown Drury, which no man
could now think of entering unaccompanied by a telescope and an
ear-trumpet. All the persuasions of a Tully, all the energy of a
Waithman, were enlisted into my harangue; which finished by exhorting
your worship to step back half a century in your dramatic career, to a
period when theatrical property was somewhat more than a mouthful of
moonshine;--when Shakspeare was, indeed as he should be, and when
nothing was talked of in this great metropolis, save the great Goliath
of Stratford, on the banks of the Avon, and little David, of the
Adelphic terrace, on the banks of the Thames.
Public-domain text, read in full here on John Shaqi.
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