The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
“She won’t get any of my money!” Caroline said.
“But Henrietta won’t be in a hurry,” Sophia announced; and so, over her
head, the two discussed her possible marriage as they had discussed her
clothes, but with less interest and at less length and, as before,
Henrietta had her own ideas. A rich man, a handsome one, a gay life; no
more basement kitchens, no more mutton bones! Already the influence of
Nelson Lodge was making itself felt.
§ 3
It was at dinner that the charm of the house was most apparent To
Henrietta. Even on these spring evenings the curtains were Drawn and
the candles lighted, for Caroline said she could not Dine comfortably
in daylight. The pale flames were repeated in The mahogany of the
table; the tall candlesticks, the silver appointments, were reflected
also in a blur, like a grey mist; the furniture against the walls
became merged into the shadows and Susan, hovering there, was no more
than an attentive spirit.
There was little talking at this meal, for Caroline and Sophia loved
good food and it was very good. Occasionally Caroline murmured, “Too
much pepper,” or “One more pinch of salt and this would have been
perfect,” and bending over her plate, the diamonds in her ears sparkled
to her movements, the rings on her fingers glittered; and opposite to
her Sophia drooped, her pale hair looking almost white, the big
sapphire cross on her breast gleaming richly, her resigned attitude
oddly at variance with the busy handling of her knife and fork.
The gold frame round General Mallett’s portrait dimly shone, the
flowers on the table seemed to give out their beauty and their scent
with conscious desire to please, to add their offerings, and for
Henrietta the grotesqueness of the elder aunts, their gay attire, their
rouge and wrinkles, gave a touch of fantasy to what would otherwise
have been too orderly and too respectable a scene.
In this room of beautiful inherited things, where tradition had built
strong walls about the Malletts, the sight of Caroline was like a gate
leading into the wide, uncertain world and the sight of Rose, all cream
and black, was like a secret portal leading to a winding stair. At this
hour, romance was in the house, beckoning Henrietta to follow through
that gate or down that stair, but chiefly hovering about the figure of
Rose who sat so straight and kept so silent, her white hands moving
slowly, the pearls glistening on her neck, her face a pale oval against
the darkness. She was never more mysterious or more remote; with her
even the common acts of eating and drinking seemed, to Henrietta, to be
made poetical; she was different from everybody else, but the girl felt
vaguely that the wildness of which Caroline made a boast and which
never developed into more than that, the wildness which had ruined her
father’s life, lay numbed and checked somewhere behind the amazing
stillness and control of Rose. And she was like a woman who had
suffered a great sorrow or who kept a profound secret.
Public-domain text, read in full here on John Shaqi.
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