The Missionary Sheriff: Being incidents in the life of a plain man who tried to do his dutyThanet, Octave
General
The Missionary Sheriff: Being incidents in the life of a plain man who tried to do his duty
Thanet, Octave
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
“Never mind that,” retorted Amos, briskly. He was entirely calm; indeed,
his face held the kind of grim elation that peril in any shape brings to
some natures. “You toss things up and throw open the doors, as if you all
had run away in a big fright, while I’ll set the table.” And, as Harned
feverishly obeyed, he carefully filled the bottles from the demijohn. The
last bottle he only filled half full, pouring the remains of the liquor
into a tumbler.
“All ready?” he remarked; “well, here’s how,” and he passed the tumbler
to Harned, who shook his head. “Don’t need a brace? I don’t know as you
do. Then shake, pardner, and whichever one of us gets out of this all
right will look after the women. And—it’s all right?”
“Thank you,” choked Harned; “just give the orders, and I’m there.”
“You get into the other room, and you keep there, still; those are the
orders. Don’t you come out, whatever you hear; it’s the women’s and the
children’s lives are at stake, do you hear? And no matter what happens
to _me_, you stay _there_, you stay _still_! But the minute I twist the
button on that door, let me in, and be ready with your hatchet—that will
be handiest. Savez?”
“Yes; God bless you, Mr. Wickliff!” cried Harned.
“Pardner it is, now,” said Wickliff. They shook hands. Then Harned shut
himself in the closet. He did not guess Wickliff’s plan, but that did not
disturb the hope that was pumping his heart faster. He felt the magnetism
of a born leader and an intrepid fighter, and he was Wickliff’s to the
death. He strained his ears at the door. A chair scraped the boards;
Wickliff was sitting down. Immediately a voice began to sing—Wickliff’s
voice changed into a tipsy man’s maudlin pipe. He was singing a war-song:
“‘We’ll rally round the flag, boys, we’ll rally once again,
Shouting the battle-cry of Freedom!’”
The sound did not drown the thud of horses’ hoofs outside. They sounded
nearer. Then a hail. On roared the song, all on one note. Wickliff
couldn’t carry a tune to save his soul, and no living man, probably, had
ever heard him sing.
“‘And we’ll drive the savage crew from the land we love the best,
Shouting the battle-cry—’
“Hullo! Who’s comin’? Injuns—mean noble red men? Come in, gen’lemen all.”
The floor shook. They were all crowding in. There was a din of guttural
monosyllables and sibilant phrases all fused together, threatening and
sinister to the listener; yet he could understand that some of them were
of pleasure. That meant the sight of the whiskey.
“P-play fair, gen’lemen,” the drunken voice quavered, “thas fine whiskey,
fire-water. Got lot. Know where’s more. Queer shorter place ever did see.
Aller folks skipped. Nobody welcome stranger. Ha, ha!—hic!—stranger found
the whiskey, and is shelerbrating for himself. Help yeself, gen’lemen. I
know where there’s shum—shum more—plenty.”
Dimly it came to Harned that here was the man’s bid for his life. They
wouldn’t kill him until he should get the fresh supply of whiskey.
Public-domain text, read in full here on John Shaqi.
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