All in the saloon were perfect strangers to McKenna, but that made no
difference. He staggered about near the threshold for an instant, while
he mentally measured the people in whose company he was, and made a
hurried inventory of the immediate surroundings; then, appearing to
gather inspiration from the lively squeak of the fiddle, he advanced to
the middle of the floor, where remained a few square yards of vacant
space, struck an attitude, and, without further prelude, begun his best
Irish break-down. The steps were nimble, well chosen, emphasized with
heel and toe, and, despite his assumed state of semi-intoxication, the
time was fairly kept with the measure of the tune. Dormer looked upon
the strange intruder, at first, as though undecided whether he should
toss him outside his door, as he would a mangy cur, or applaud his
terpsichorean performance. Then he gradually absorbed the magnetism of
the dance, and the music made by feet and bow and string, and, seating
himself on a convenient chair, held his face between his two brawny
hands, the elbows resting on his knees, and interestedly scanned
McKenna’s movements, keeping the rhythm, meanwhile, by swaying his broad
shoulders from side to side. The agile shuffling evidently gave him
pleasure, and, turning to the sleepy musician he loudly ordered him to
“play fasther!” The request was instantly obeyed, and quicker and
quicker came the inspiriting notes, faster and faster were the manœuvres
of the dance executed, and the more fantastically the dancer turned and
whirled, and threw out leg and arm, in gesticulations more grotesque
than graceful.
“Nae cotillion brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in his heels.”
It was not long before every occupant of the place, Mrs. Dormer
inclusive, took up the measure and, while none but the central personage
actually indulged in a reel, beat time to the chords the violinist
touched.
Dormer, as usual, was somewhat overcome by liquor, but arose at the
conclusion of the jig, advanced to McKenna, who stood, for a few
seconds, almost exhausted by his exertions, took the detective by the
hand and warmly welcomed him to the place, saying:
“Very good! Very good! Be the sowl of me great-grandfather! I’ve niver
seen such a jigger since the days of jolly Dan Carey! Walk up, stranger,
an’ have a sup of the best in the house; an’ be the same token, let
everybody else take somethin’ at my cost! I am greatly plazed, that I
am, to recave such iligant company!”
“Av coorse I hev no objection in the worruld,” answered McKenna,
returning Dormer’s strong grasp with interest, “wid the understandin’,
if it be quite convanient, that I’m to give all of yez a bit of a song
afther the wettin’ of me whistle!”
“Sure, an’ a stave or so of a song is jist what we’re afther the
wantin’,” responded a man the operative had heard called Kelly.
Public-domain text, read in full here on John Shaqi.
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