In the corridor, Madame Lebleu, at this precise moment, was opening
the door to Philomène, who had run round in neighbourly fashion, with
untidy hair, and held a couple of eggs in her hand. They remained on
the threshold, so that Roubaud had to enter his apartment before their
eyes. He had his key, and was as quick as he could be. Notwithstanding,
in the rapid opening and closing of the door, they perceived Séverine,
seated on a chair in the dining-room, with her hands idle, her
profile pale, and her body motionless. And Madame Lebleu, dragging
in Philomène and closing her own door, related that she had already
seen Séverine in the same state, in the early part of the morning.
No doubt the business with the sub-prefect was taking a bad turn.
But no; and Philomène explained that she had hastened to make a call
because she had news; and she repeated what she had just heard the
assistant station-master say himself. The two women were then lost
in conjectures. It was the same at each of their meetings--gossiping
without end.
"They've had their hair combed, my dear," said Madame Lebleu. "I'd
stake my life on it. They're tottering on their pedestals."
"Ah! my dear lady," answered Philomène, "if we could only be rid of
them!"
The rivalry between the Lebleus and the Roubauds, which had become
more and more envenomed, simply arose from a question of apartments.
All the first floor of the main station building, served to lodge
members of the staff; and the central corridor, a regular corridor of
a second-rate hotel, painted yellow, lighted from above, separated
the floor in two, with lines of brown doors to right and left. Only
the windows of the apartments on the right, looked on the courtyard
facing the entrance, which was planted with old elms, and above these
an admirable view spread out in the direction of Ingouville; while the
apartments on the left, with semicircular, squatty windows, opened
right on the marquee of the station, whose high slanting roof of zinc
and dirty glass barred the horizon from view. Nothing could be more gay
than the one side, with the constant animation in the courtyard, the
verdure of the trees, the broad expanse of country; nothing more dismal
than the other, where it was almost impossible to see, and where the
sky was shut out as in a prison.
Public-domain text, read in full here on John Shaqi.
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