“Certainly not. But is not the moon herself the very spirit of poetry? What in nature is more poetical in its suggestions than the moon wading through fleecy clouds on a serene summer’s night? But pardon me, we are forgetting my mountains, upon which I insist as strongly as you do upon your inhabitants. The mountains have this advantage that they are very real, and no exercise of the imagination is required to bring them clearly before us. In photograph No. 8 they are all visible. The Apennines, the greatest of them, start from the eastern end of the _Mare Serenitatis_, and run in a slightly curved line southeastward, a distance of about 450 miles. They form the singular ornament which the Moon Maiden (or shall we now call her Helen of Troy?) wears upon her forehead. Turn the photograph upside down so that the moon is presented as the naked eye sees it in the sky, and you will find that, although he aimed only to be scientifically exact and to exclude everything but the real facts, Mr. Wallace has produced an excellent picture of this wonderful face in the moon.” “But what is that face?” “It is humanity projected upon the moon. It is a lesson on the powers of the imagination. We perceive a certain collocation of mountains, peaks, and plains on the disk of the moon, and our fancy sees in them a human likeness. We should congratulate ourselves that we are able to do this. It is a kind of proof of superiority. Many brute animals do not recognize even their own likenesses in a mirror, much less in a picture. But the Moon Maiden is perhaps as real as your inhabitants.” “I am not prepared to confess that yet.”