"Your bath," said Rador. He dropped the curtain and came back into
the room. He touched a carved flower at one side. There was a tiny
sighing from overhead and instantly across the top spread a veil of
blackness, impenetrable to light but certainly not to air, for through
it pulsed little breaths of the garden fragrances. The room filled
with a cool twilight, refreshing, sleep-inducing. The green dwarf
pointed to the couches.
"Sleep!" he said. "Sleep and fear nothing. My men are on guard
outside." He came closer to us, the old mocking gaiety sparkling in
his eyes.
"But I spoke too quickly," he whispered. "Whether it is because the
Afyo Maie fears their tongues--or--" he laughed at Larry. "The maids
are _not_ yours!" Still laughing he vanished through the curtains of the
room of the fountain before I could ask him the meaning of his curious
gift, its withdrawal, and his most enigmatic closing remarks.
"Back in the great old days of Ireland," thus Larry breaking into my
thoughts raptly, the brogue thick, "there was Cairill mac
Cairill--Cairill Swiftspear. An' Cairill wronged Keevan of Emhain
Abhlach, of the blood of Angus of the great people when he was
sleeping in the likeness of a pale reed. Then Keevan put this penance
on Cairill--that for a year Cairill should wear his body in Emhain
Abhlach, which is the Land of Faery and for that year Keevan should
wear the body of Cairill. And it was done.
"In that year Cairill met Emar of the Birds that are one white, one
red, and one black--and they loved, and from that love sprang Ailill
their son. And when Ailill was born he took a reed flute and first he
played slumber on Cairill, and then he played old age so that Cairill
grew white and withered; then Ailill played again and Cairill became a
shadow--then a shadow of a shadow--then a breath; and the breath went
out upon the wind!" He shivered. "Like the old gnome," he whispered,
"that they called Songar of the Lower Waters!"
He shook his head as though he cast a dream from him. Then, all
alert--
"But that was in Iceland ages agone. And there's nothing like that
here, Doc!" He laughed. "It doesn't scare me one little bit, old boy.
The pretty devil lady's got the wrong slant. When you've had a pal
standing beside you one moment--full of life, and joy, and power, and
potentialities, telling what he's going to do to make the world hum
when he gets through the slaughter, just running over with zip and pep
of life, Doc--and the next instant, right in the middle of a laugh--a
piece of damned shell takes off half his head and with it joy and
power and all the rest of it"--his face twitched--"well, old man, in
the face of _that_ mystery a disappearing act such as the devil lady
treated us to doesn't make much of a dent. Not on me. But by the
brogans of Brian Boru--if we could have had some of that stuff to turn
on during the war--oh, boy!"
Public-domain text, read in full here on John Shaqi.
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