We have now considered two groups of fables: those which depict the character of the mighty, and those which treat of the proper policy of the weak. The subject of the third group is, the consolations of the weak. These are, first, that even tyrannical masters are to a certain extent dependent upon their inferiors, and can be punished if they go too far; secondly, that the mighty occasionally come to grief in consequence of dissensions among themselves; thirdly, that fortune is fickle. A lion is caught in the toils, and would perish did not a little mouse come to his aid by gnawing asunder the knots and fastenings. The bear robs the bees of their honey, but is punished and rendered almost desperate by their stings. An eagle carries off the cub of a fox; but the fox, snatching a fire-brand, threatens to set the eagle's nest on fire, and thus forces him to restore her young one. This is evidently a fable of insurrection. The fable of the Viper and the File shows that it is not safe to attack the wrong person--in other words, that tyrants sometimes come to grief by singling out for persecution some one who is strong enough to resist them though they little suspect it. The fable of the four bulls shows the effect of dissensions among the mighty. Four bulls had entered into a close alliance, and agreed to keep always near one another. A lion fomented jealousies among them. The bulls grew distrustful of one another, and at last parted company. The lion had now obtained his end, and seized and devoured them singly. The fickleness of fortune is the theme of the fable of the Horse and the Ass. The horse, richly caparisoned and champing his foaming bridle, insults an ass who moves along under a heavy load. Soon after the horse is wounded, and, being unfit for military service, is sold to a carrier. The ass now taunts the proud animal with his fallen estate. The horse in this fable is the type of many an Eastern vizier, who has basked for a time in the sunshine of a despot's favor only to be suddenly and ignominiously degraded. The ass in the fable represents the people. There remains a fourth group of fables, which satirize certain mean or ridiculous types of characters, such as are apt to appear in social conditions of the kind we have described. Especially do the fables make a target of the folly of those who affect the manners of the aristocratic class, or who try to crowd in where they are not wanted, or who boast of their high connections. The frog puffs himself up so that he may seem as large as the ox, until he bursts. The mouse aspires to marry the young lioness, and is in fact well received; but the young lady inadvertently places her foot on her suitor and crushes him. The jackdaw picks up feathers which have fallen from the peacocks, sticks them among his own, and introduces himself into the assembly of those proud birds. They find him out, strip him of his plumes, and with their sharp bills punish him as he deserves.