The Lobby of St Stephen's was, if possible, the scene of even greater discomfort and squalor than was the House itself. It was perpetually crowded, not only with members and their servants, but also with the general public, and was "as noisy as a Jews' synagogue." Pearson, for many years head doorkeeper of the Commons, tells us that orange women traded there regularly, selling their wares to thirsty politicians during the sitting of the House. One old woman named Drybutter was a great favourite among a certain class of members, and knew more of their private affairs (we are told) than "all the old bawds in Christendom put together."[110] Another, Mullins by name, "a young, plump, crummy, rosy looking wench, with clean white silk stockings, Turkey leather shoes, pink silk _short_ petticoat, to show her ancle to the young bulls and old goats of the House," appealed especially to the more amorous members. "Mark how her winning smiles and 'witching eyes On yonder unfledg'd orator she tries! Mark with what grace she offers to his hand The tempting orange, pride of China's land!"[111] [110] Pearson's "Political Dictionary," p. 37. [111] "The Rolliad." She was said to have killed more men with her eyes and sighs than did many a general with his canister and grape-shot in the American war. Oranges and biscuits were not, as may be imagined, this fascinating creature's sole stock in trade. In Stuart days the walls of St Stephen's Chapel were temporarily brightened by the presence of the tapestry which Charles II. hung there. This, however, was taken down in 1706. About a hundred years later, when alterations were being made to provide accommodation for the recently added Irish members, the old thirteenth-century mural paintings were discovered beneath the wainscot. No one, however, seems to have realised their value, and they were carelessly allowed to perish, sharing the fate that befell the curious old tapestries which once adorned the walls of the famous Painted Chamber. This Painted Chamber, which lay between the two Houses of Parliament, was the original Council Chamber of the Norman kings. Here parliaments were opened, and conferences of both Houses held. Its walls were hung with tapestry on which were depicted various scenes from the Siege of Troy. This was removed at the commencement of the nineteenth century and thrown into a cellar, being subsequently sold in 1820 for the paltry sum of £10, and beneath it was found the series of paintings--representing the Wars of the Maccabees and scenes from the life of Edward the Confessor--from which the Chamber derived its name. It was in this apartment that the death warrant of Charles I. was signed, when Oliver Cromwell and Henry Martin distinguished themselves by childishly blacking one another's faces with ink. Here Charles II. lay in state after his death, as did also Chatham and William Pitt.