The motion picture chums at Seaside Park : $b or, The rival photo theatres of the boardwalkAppleton, Victor
General
The motion picture chums at Seaside Park : $b or, The rival photo theatres of the boardwalk
Appleton, Victor
Motion picture theaters -- Juvenile fiction
About midway of the square was a vacant building, once a dime museum.
Frank and his friends had noticed this in their search for a business
location. It was off the main route of travel, however, and the building
was old, ramshackly and set down from the street level, the lot lying in
a depression in the ground so that one had to descend three steps to the
entrance.
“There you are,” pronounced Pep in an impressive way. “What do you say
to it?”
Frank, Randy and Ben Jolly came to a halt as they faced an electric sign
running out from the front of the building.
“‘National,’” read Randy—“‘National’ what?”
“Photo playhouse,” asserted Pep.
“Do you know that?” challenged Jolly.
“I do. When I passed by a man who was wiring the sign told me that a big
New York fellow and a Seaside Park party were going to open up next
week.”
“The mischief!” exclaimed Randy, roused up.
“Say,” remarked Jolly, bristling up at this hint of rivalry, “we want to
get busy.”
“Oh, it doesn’t alarm me,” spoke Frank. “In the first place it is off
the mainly traveled route. Besides, the neighborhood is cheap and I
would imagine they wouldn’t get more than a nickel.”
“It’s worth looking up—always keep track of what your competitors are
doing,” advised Jolly.
“Why I say,” suddenly remarked Frank—“their sign is wrong.”
“How wrong?” questioned Randy, and then he added: “That’s so: ‘NATONAL.’
They’ve left out an I.”
“It’s so,” cried Pep, “maybe they bought some second hand letters and
there wasn’t any I’s in the lot.”
“‘Big New York fellow,’” observed Jolly thoughtfully. “Wonder who he is?
Maybe you stirred things up in the city, Durham, and started somebody on
our trail.”
“Well, we must expect competition,” replied Frank. “It shan’t scare us.”
“No, we’ll stick to a first-class basis and be the leader,” declared
Randy.
“You fellows go on,” spoke Pep. “I’ll sort of spy out the enemy’s
country—hey?”
“I would like to know who is behind this ‘National’ with an I missing,”
said Frank, and they turned about and resumed their way to the freight
depot, leaving Pep to his own devices.
Pep was not afraid to venture anywhere or address anybody. He was inside
the old building and had accosted the man he had seen outside within
five minutes after his friends left him. The man knew all about the
proposed extensive refitting of the old barn of a place, but did not
know who was backing the new show outside of a big man from New York and
a party with money at Seaside Park. Pep pumped him dry so far as the
arrangements for the show were concerned.
“Hello, Pep,” hailed him just as he went outside again.
“That isn’t my name—it’s Pepperill,” retorted Pep, resenting the mistake
and the familiarity. He was in a fiery mood just now, but as he
recognized young Peter Carrington and noticed that he was headed for the
building he had just left, Pep decided that he would lose nothing by
using a little tact.
Public-domain text, read in full here on John Shaqi.
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