The Mountain Chant, A Navajo Ceremony: Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 379-468Matthews, Washington
Religion
The Mountain Chant, A Navajo Ceremony: Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 379-468
Matthews, Washington
Mountainway (Navajo rite); Navajo Indians -- Rites and ceremonies
Then the plumed wand. For this purpose you carry it, that they will
recognize you as coming from a holy place.
103. The akáninili on his journey scatters meal before him as directed
in these charges. He also scatters it on the medicine men whom he
visits, and for this reason he is called akáninili, which signifies meal
sprinkler.
104. When the last word of the instructions was uttered, the couriers
departed, one to the north and one to the south. It was not later than
7 o’clock when they left. As soon as they were gone, the work of
painting the picture appropriate to the day was begun. It was much more
elaborate than the painting of the previous day. Although a dozen men
worked on it, it was not finished until two o’clock. About the time it
was done, the akáninili from the south returned. He was carefully
divested of all his ornaments. The white paint was scraped carefully
from his body and preserved in the medicine bags of those who scraped it
off. Then he was led out of the lodge.
105. When the picture was finished, the shaman, having applied pollen in
three places to each god, stuck around it in the ground, at regular
intervals, the three plumed wands which had stood before the door of the
lodge all day and the wand which the akáninili from the south had just
brought back with him. This wand he placed at the south of the picture,
and laid beside it the collar, wings, and plumes which the akáninili had
worn. The fifth, or north, wand was still absent with the courier who
went to the north.
Public-domain text, read in full here on John Shaqi.
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