Circus -- Fiction; Clowns -- Fiction; World War, 1914-1918 -- Veterans -- Fiction
But Elodie had fallen under the spell of Bakkus. Like him she loved talk,
although her education allowed her only the lightest kind. She loved its
give-and-take, its opportunities for the flash of wit or jest. Bakkus could
talk about an old boot. She too. He could analyse sentiment in his mordant
way. She could analyse it in her own unsophisticated fashion. Now Andrew,
though death on facts and serious argument, remained dumb and bewildered
in a passage-at-arms about apparently nothing at all; and while Bakkus and
Elodie enjoyed themselves prodigiously, he gaped at them, wondering what
the deuce they found to laugh at. He was for ever warning Elodie not to put
a too literal interpretation on Bakkus's sayings.
The singer had gone grey, and that touch of venerability gave him an air
of greater distinction, as a broken down tragedian, than he possessed when
Andrew had first met him ten years or so before. Elodie could bandy jests
with him, but when he spoke with authority she listened overawed.
"My dear André," she replied to his remark. "I am not a fool. I know when
Horace is talking nonsense and when he means what he says."
"And I maintain," said Bakkus, "that this most adorable woman is being
sacrificed on the altar of Cæsar's Commentaries and the latest French
handbook on scientific slaughter."
"I think," said Andrew, who had imprudently sketched his course of reading
to the cynic, "that _The Art of War_ by Colonel Foch is the most
masterly thing ever written on the subject of warfare."
"But who is going to war, these days, my good fellow?"
"They're at it now," said Andrew.
"The Balkans--Turkey--Bulgaria? Barbarians. What's that got to do with
civilized England and France?"
"What about Germany?"
"Germany's never going to sacrifice her commercial position by going to
war. Among great powers war is a lunatic anachronism."
"Oh, _mon Dieu_," cried Elodie, "now you're talking politics."
Bakkus took her hand which held a fork on which was prodded a gherkin--they
were at lunch--and raised it to his lips.
"_Pardon, chère madame_. It was this maniac of an André. He is mad or
worse. Years ago I told him he ought to be a sergeant in a barrack square."
"Just so!" cried Elodie. "Look at him now. Here he is as soft as two
pennyworth of butter. But in the theatre, if things do not go quite as he
wants them--oh la la! It is Right turn--Quick march! Brr! And I who speak
have to do just the same as the others."
"I know," said Bakkus. "A Prussian without bowels. Ah, my poor Elodie! My
heart bleeds for you."
"Where do you keep it--that organ?" asked Andrew.
"He keeps it," retorted Elodie, "where you haven't got it. Horace
understands me. You don't. Horace and I are going to talk. You smoke your
cigar and think of battles and don't interfere."
Public-domain text, read in full here on John Shaqi.
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