The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak FarmHope, Laura Lee
General
The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak Farm
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Come on!" yelled the director through his megaphone. "Lively!"
Alice and Ruth, half carrying, half dragging, the wounded soldier,
staggered out, Russ clicking away at the camera.
"Good! That's good! It's fine!" exclaimed the enthusiastic director.
Ruth was conscious that she was suddenly dragging more of the weight of
the man's body than at first. But she thought one of Alice's hands had
possibly slipped off, and she did not want to call a halt to get a
better hold.
"My! But this is choking!" gasped Ruth.
Finally, she staggered out into the open, dragging the soldier by his
shoulders. She slumped down on the ground, in a place free from smoke,
and registered exhaustion.
"Where's Alice?" cried Paul, who was holding back in readiness for his
appearance in the scene. "Where's Alice?"
"Isn't she there?" gasped Ruth, rising on her elbow.
"No, she isn't. She must be----"
"Hold that pose, Ruth! Don't stir or you'll spoil the scene!" yelled the
director. "We'll get your sister!"
CHAPTER XV
THE HOSPITAL TENT
"The show must go on!" This is the motto of circus and theatrical
performers the world over. No matter what happens, under what strain or
pain the player labors, no matter what occurs short of death itself, the
public must not be allowed to guess that anything is wrong. And
sometimes even death itself has been no barrier--for players have gone
through with their parts on the stage when, but the act previous, they
have learned that some loved one had passed away.
And more than one clown has bounded into the sawdust ring with merry
quip and jest, with a smile on his painted face, while his heart was
breaking with grief.
And so it was with Ruth DeVere. As she staggered out of the smoke clouds
and saw that Alice had not followed, at once the dreadful thought came
to her that her sister had been overcome by the fumes. And, although the
smoke bombs were harmless as regards fire, the breathing of the
chemical fumes for any length of time might mean death.
Thus, as Ruth was about to stagger to her feet to go back into the murky
cloud to look for Alice, there came the director's orders to "hold that
pose!"
The show must go on! That meant it would not do to spoil the scene, ruin
the film, and necessitate a retake if, by any possibility, it could be
avoided.
"Stay where you are, Ruth! Stop the camera, Russ! Hold the pose--both of
you. We'll go on from there when we get Alice out!"
And Ruth, her heart torn with anguish, must remain. She was glad her
father was not present.
"Get in there and get the girl!" cried Pop Snooks who was busy lighting
more smoke bombs. "Get that girl, some of you fellows!" For he had
guessed in an instant what had happened. It was not the first time one
of the players had been overcome by the heavy fumes.
Into the cloud dashed some of the head property man's helpers. Russ and
Paul, who could leave their posts while the camera was not in motion,
also penetrated the murkiness.
Public-domain text, read in full here on John Shaqi.
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