The Moving Picture Girls; Or, First Appearances in Photo DramasHope, Laura Lee
General
The Moving Picture Girls; Or, First Appearances in Photo Dramas
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Good-bye!" called Alice, who with Paul, Miss Fillmore, and the
camera operator, were going out for the exterior scenes. "I'll be
home soon."
"I'll take care of her," promised Paul, and, as he and Alice went
out, side by side, Ruth caught a sharp glance from Miss Dixon, who
was narrowly watching the two.
"Well, everything seems to be going on all right now," observed Mr.
Pertell. "Here's Pop with the fence. Now, Mr. Switzer, and Miss
Dixon----well, what is it?" he broke off with, as he saw Wellington
Bunn approaching with an irritated air.
"I must refuse, sir, positively refuse, to go on with the part you
have assigned to me!" exclaimed the former Shakespearean player,
striking what he thought was a dignified attitude. "I cannot do it,
Mr. Pertell, and I wonder that you expect it of me."
"What part is it you object to?" asked the manager. "Let's see,
you're in 'A Man's Home;' aren't you?"
"Yes, and in one scene I am supposed to come home from the office,
and get down on the floor to play with blocks with the children. I
do not mind that so much, but I have to play horse, and ride the
children around on my back, and then, to cap the climax, I have to
turn a somersault."
"Well?" asked the manager, as the actor paused.
"Well, I positively refuse to do that somersault! The idea of
me--Wellington Bunn--who has played in Shakespearean dramas,
groveling on the floor and turning somersaults! The somersaults
positively must be cut out."
"But they can't very well, Mr. Pertell!" broke in one of the other
actors in the same drama. "Because when Mr. Bunn goes over that way
he is supposed accidentally to upset the table, and the supper things
fly all over, and the children laugh and think it's a great joke. The
whole scene will be spoiled if Mr. Bunn doesn't turn his somersault."
"Then he'll turn it!" announced the manager, grimly.
"What! But I protest, sir! I protest!" cried the tragedian. "I will
not do it! The idea of me--Wellington Bunn----"
"Somersault--or look for another engagement," was the terse
rejoinder, and with a gesture of despair Mr. Bunn turned aside
murmuring;
"Oh, that I should come to this! Oh, the pity of it! The pity! I'll
never do it!"
But a little later, for the sake of his salary, he turned the
somersault.
CHAPTER XIV
AN EMERGENCY
"Did you enjoy yourself, Alice?" asked Ruth, a little later that
afternoon, when her sister had returned from her trip to the Brooklyn
Bridge, and the Grand Central Terminal, with Paul.
"Indeed I did!" replied the younger girl. "It was really exciting.
And Paul is so nice!"
"Do you call him Paul?"
"Certainly--why not."
"And does he call you Alice?"
"Yes. He asked me if he couldn't, and I don't see any harm. He's just
like a brother would be."
"Oh," remarked Ruth, with a little smile. "Tell me about it."
Public-domain text, read in full here on John Shaqi.
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