The mummy and Miss Nitocris : a phantasy of the fourth dimensionGriffith, George Chetwynd
Science
The mummy and Miss Nitocris : a phantasy of the fourth dimension
Griffith, George Chetwynd
Fantasy fiction; Mummies -- Fiction; Supernatural -- Fiction
"'Ere's somethin' as has just come for you, Mister Phadrig. Muvver told
me ter bring it up, and wot'll yer want for supper, and will yer give me
the money?" she said in a piping monotone, still holding out her hand
after he had taken the letter. He gave her sixpence, saying:
"Two eggs and some bread. I will make my coffee myself."
She took the coin and shuffled out quickly, for she went not a little in
awe of this dark-faced foreign man from mysterious regions beyond her
ken, who was doubtless a magician of some sort, and could kill her or
change her into a rat by just breathing on her, if he wanted to.
Meantime Nitocris and Brenda were having what the latter called "a
perfectly lovely time" in Regent Street and Bond Street and other
purlieus of that London paradise which the genius of commerce has
created for the delight of his richest and most lavish-handed votaries.
Brenda spent her ten dollars and a few thousands more, and then, as it
was getting on to dinner-time and Nitocris absolutely refused to let her
father eat his meal alone, she ran her out to Wimbledon at a speed for
which a mere man would have inevitably been fined, asked herself to
dinner, and made herself entirely delightful to the Professor.
But in spite of all her cunning wiles and winning ways she left in
absolute ignorance of the subject of the forthcoming lecture.
CHAPTER IX
"THE WILDERNESS," WIMBLEDON COMMON
The little estate on Wimbledon Common, which had been in Professor
Marmion's family for three generations, was called "The Wilderness." The
house was of distinctly composite structure. Tradition said that it had
been a royal hunting lodge in the days when Barnes and Putney and
Wimbledon were tiny hamlets and the Thames flowed silver-clear through a
vast, wild region of forest and gorse and heather, and the ancestors of
the deer in Richmond Park browsed in the shade of ancient oaks and elms
and beeches, and antler-crowned monarchs sent their hoarse challenges
bellowing across the open spaces which separated their jealously guarded
domains.
Generation by generation it had grown with the wealth and importance of
its owners, as befits a house that is really a home and not merely a
place to live in, until it had become a quaint medley of various styles
of architecture from the Elizabethan to the later Georgian. Thus it had
come to possess a charm that was all its own, a charm that can never
belong to a house that has only been built, and has not grown. Its
interior was an embodiment in stone and oak and plaster of cosy comfort
and dignified repose, and, though it contained every "modern
improvement," all was in such perfect taste and harmony that even the
electric light might have been installed in the days of the first James.
Public-domain text, read in full here on John Shaqi.
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