Christine Nilsson is said to have decided that the rôle was not pure
enough for her, but Adelina Patti, who has stated publicly that Wagner
wrote _Parsifal_ for her and that she had refused the rôle of Kundry,
could not forego the chance to appear as the Mérimée-Bizet gipsy. Her
failure was abysmal. H. E. Krehbiel says she was seen "and occasionally
heard" in the part. She "ignored its dramatic elements entirely, and
cared only for the music, and only for the music in which she sang
alone." But Pauline Lucca sang the part with success, I believe.
Carmen was a rôle that Lilli Lehmann had frequently sung in Germany
before she came to America and she made her American début in the part.
Here is Mr. Krehbiel's description of her performance ("Chapters of
Opera"):
"Lehmann as the gipsy cigarette maker, with her Habanera and
Seguidilla, with her errant fancy wandering from a sentimental
brigadier to a dashing bull-fighter, is a conception which will not
come easy to the admirers of the later Brünnhilde and Isolde; and,
indeed, she was a puzzling phenomenon to the experienced observers of
that time. Carmen was already a familiar apparition to New Yorkers,
who had imagined that Minnie Hauk had spoken the last word in the
interpretation of that character. When Fräulein Lehmann came her
tall stature and erect, almost military, bearing, were calculated
to produce an effect of surprise of such a nature that it had to be
overcome before it was possible to enter into the feeling with which
she informed the part. To the eye, moreover, she was a somewhat more
matronly Carmen than the fancy, stimulated by earlier performances
of the opera or the reading of Mérimée's novel, was prepared to
accept; but it was in harmony with the new picture that she stripped
the character of the flippancy and playfulness popularly associated
with it, and intensified its sinister side. In this, Fräulein Lehmann
deviated from Mme. Hauk's impersonation and approached that of Mme.
Trebelli.... In her musical performance she surpassed both of those
admired and experienced artists."
Public-domain text, read in full here on John Shaqi.
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