The Mutineers: A Tale of Old Days at Sea and of Adventures in the Far East as Benjamin Lathrop Set It Down Some Sixty Years AgoHawes, Charles Boardman
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The Mutineers: A Tale of Old Days at Sea and of Adventures in the Far East as Benjamin Lathrop Set It Down Some Sixty Years Ago
Hawes, Charles Boardman
Sea stories
"Boys, dey's a pest," he grumbled. "Dey didn't had ought to have boys
aboa'd ship. No, sah. Cap'n Falk, he say so, too."
The negro was looking at me so intently that I searched his words for some
hidden meaning; but I could find none.
"No, sah, boys am de mos' discombobulationest eveh was nohow. Yass, sah.
Dey's been su'thin' happen aft. Yass, sah. Ah ain't gwine tell no boy,
nohow. No, sah. 'Taint dis nigger would go tell a boy dat Mistah Hamlin he
have a riot with Mistah Cap'n Falk, no sah. Ah ain't gwine tell no boy dat
Mistah Hamlin, he say dat Mistah Cap'n Falk he ain't holdin' to de right
co'se, no, sah; nor dat Mistah Cap'n Falk he bristle up like a guinea
gander and he say, while he's swearin' most amazin', dat he know what co'se
he's sailin', no, sah. Ah ain't gwine tell no boy dat Mistah Hamlin, he say
he am supercargo, an' dat he reckon he got orders f'om de owners; and
Mistah Cap'n Falk, he say he am cap'n and he cuss su'thin' awful 'bout dem
orders; and Mistah Roger Hamlin he say Mistah Cap'n Falk his clock am a
hour wrong and no wonder Mistah Kipping am writing in de log-book dat de
ship am whar she ain't; and Mistah Kipping he swear dre'ful pious and he
say by golly he am writer of dat log-book and he reckon he know what's what
ain't. No, sah, Ah ain't gwine tell a boy dem things 'cause Ah tell stew'd
Ah ain't, an' stew'd, him an' me is great friends, what's gwine make a
fo'tune _when Mistah Cap'n Falk git dat money_!"
He said those last words in a whisper, and stared at me intently; in that
same whisper, he repeated them, "When Mistah Cap'n Falk git dat money_!"
Then, in a strangely meditative way, as if an unfamiliar process of thought
suddenly occupied all his attention, he muttered absently, letting his eyes
fall, "Seem like Ah done see dat Kipping befo'; Ah jes' can't put mah
finger on him." It was the second time that he had made such a remark in my
hearing.
The candle guttered in the saucer that served for a candlestick, and its
crazy, wavering light shone unsteadily on the black face of the cook, who
continued to stare at me grimly and apparently in anger. A pan rattled as
the ship rolled. Water splashed from a bucket. I watched the drops falling
from the shelf. One--two--three--four--five--six--seven! Each with its
_pht_, its little splash. They continued to drip interminably. I lost all
count of them. And still the black face, motionless except for the wildly
rolling eyes, stared at me across the galley stove.
CHAPTER XIV
BILL HAYDEN COMES TO THE END OF HIS VOYAGE
I was ejected from the galley as abruptly and strangely as I had been drawn
into it. The candle went out at a breath from the great round lips; the big
hand again closed on my shoulder and lifted me bodily from my chair. The
door opened and shut, and there was I, dazed by my strange experience and
bewildered by the story I had heard, outside on the identical spot from
which I had been snatched ten minutes before.
Public-domain text, read in full here on John Shaqi.
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