The Mysteries of Modern LondonSims, George R. (George Robert)
History
The Mysteries of Modern London
Sims, George R. (George Robert)
Criminals -- England -- London; London (England) -- History
But when we look behind the scenes of theatrical life it is not always
the note of tragedy that greets us. There is a fairer and a sunnier
side.
Ten years ago a young girl determined to be an actress--had made her way
to London--the city of her dreams. It had been a rough journey. In the
provinces she had joined a small opera company. When there was any money
taken the manager obligingly gave some of it on account of salaries to
the artists. When times were bad they had to go without. So it came that
the finding of lodgings was a terrible task. When you have no money--and
you can't take your luggage into apartments, for fear it should be kept
for the rent--very few doors are open to you. In one country town the
little girl, failing to get a room, went and sat in a shed in a field
and cried herself to sleep there. She woke up at one in the morning with
a thunder and lightning storm raging. She ran out into the roadway, and
a kind policeman took her to his wife, who gave her a bed for the night.
One day, the company being near London, she left it, and, having a few
shillings in her pocket, took a train which landed her at Liverpool
Street. She found lodgings in the Whitechapel Road, and thought that
London was a very busy place, but she didn't think the people dressed
very grandly.
In the Whitechapel Reading Room she read the "Era," and saw an
advertisement for chorus ladies at Earl's Court. She walked from
Whitechapel to Earl's Court, and failed to see the manager. Then she
walked back again, and, passing Hyde Park, went into it, and, tired and
hungry and broken-hearted, sat down on a seat.
It was the fashionable hour of the afternoon, and the Park was crowded
with carriages and elegantly dressed people. The young actress, with
nothing in her pocket, and terror of the future in her heart, sat and
watched the wealth and luxury of London for a little while. In the
bitterness of her despair she almost _hated_ the people for being so
prosperous and so happy. She burst into tears, and, unable to look any
longer at a scene which only emphasized her own misery, she rose and
walked, weary and footsore, back to the Whitechapel Road.
That was ten years ago. To-day it is again the fashionable hour, and
the Park is crowded. In an elegant victoria sits a charming young lady,
daintily dressed, smiling and happy. Every now and then she smiles and
bows, and returns the salutation of someone who knows her.
This happy young lady in the victoria is the little actress who sat in
the Park and cried because she had not even the money for a 'bus to take
her back to the Whitechapel lodging from which she had set out in the
morning to walk to Earl's Court.
Public-domain text, read in full here on John Shaqi.
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