The Mysteries of Paris, illustrated with etchings, Vol. 3Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 3
Sue, Eugène
Paris (France) -- Fiction
"M. Germain did not even give me time to thank him, but ran quickly
down-stairs. This morning," continued Louise, "before any one had risen
at M. Ferrand's, I came here with the money which M. Germain had given
me to save my father; but it was not enough, and but for your
generosity, I could not have rescued him from the bailiff's hands.
Probably, after I had left, they went into my room and, having
suspicions, have now sent to arrest me. One last service, sir," said
Louise, taking the rouleau of gold from her pocket, "will you give back
this money to M. Germain; I had promised him not to say to any one that
he was employed at M. Ferrand's; but, since you know it, I have not
broken my confidence. Now, sir, I repeat to you before God, who hears
me, that I have not said a word that is not quite true; I have not tried
to hide my faults, and--"
But, suddenly interrupting herself, Louise exclaimed with alarm:
"Sir, sir, look at my father! what can be the matter with him?"
Morel had heard the latter part of this narration with a dull
indifference, which Rodolph had accounted for by attributing it to the
heavy additional misfortune which had occurred to him. After such
violent and repeated shocks, his tears must have dried up, his
sensibility have become lost; he had not even the strength left to feel
anger, as Rodolph thought; but Rodolph was mistaken. As the flame of a
candle which is nearly extinguished dies away and recovers, so Morel's
reason, already much shaken, wavered for some time, throwing out now and
then some small rays of intelligence, and then suddenly all was
darkness.
Absolutely unconscious of what was said or passing around him, for some
time the lapidary had become quite insane. Although his hand-wheel was
placed on the other side of his working-table, and he had not in his
hands either stones or tools, yet the occupied artisan was feigning the
operations of his daily labour, and affecting to use his implements. He
accompanied this pantomime with a sort of noise with his tongue against
the roof of his mouth, in imitation of the noise of his lathe in its
rotatory motions.
"But, sir," said Louise again, with increasing fright, "look, pray look
at my father!"
Then, approaching the artisan, she said to him:
"Father! father!"
Morel gazed on his daughter with that troubled, vague, distracted,
wandering look which characterises the insane, and without discontinuing
his assumed labour, he replied, in a low and melancholy tone:
"I owe the notary thirteen hundred francs; it is the price of Louise's
blood,--so I must work, work, work!--oh, I'll pay, I'll pay, I'll pay!"
"Can it be possible? This cannot be,--he is not mad,--no, no!" exclaimed
Louise, in a heart-rending voice. "He will recover,--it is but a
momentary fit of absence!"
"Morel, my good fellow," said Rodolph to him, "we are here. Your
daughter is near you,--she is innocent."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account