The Mysteries of Paris, illustrated with etchings, Vol. 5Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 5
Sue, Eugène
Paris (France) -- Fiction
It is such dogholes as that occupied by Morel the lapidary, and in which
so many poor and honest workmen languish in exhaustion, compelled to
give up their truckle-bed to a sick wife, and to leave, with hopeless
despair, their wretched, famishing children, shuddering with cold in
their infected straw--that is miserable, dark, dirty, and pestilent! The
same contrast holds with respect to the physiognomy of the inhabitants
of these two abodes. Incessantly occupied with the wants of their
family, which they can scarcely supply from day to day, seeing a
destructive competition lessen their wages, the laborious artisans
become dejected, dispirited; the hour of rest does not sound for them,
and a kind of somnolent lassitude alone breaks in upon their overtasked
labour. Then, on awakening from this painful lethargy, they find
themselves face to face with the same overwhelming thoughts of the
present, and the same uneasiness for the future.
But the prisoner, indifferent to the past, happy with the life he leads,
certain of the future (for he can assure it by an offence or a crime),
regretting his liberty, doubtless, but finding much compensation in the
actual enjoyment, certain of taking with him when he quits prison a
considerable sum of money, gained by easy and moderate labour, esteemed,
or rather dreaded, by his companions, in proportion to his depravity and
perversity, the prisoner, on the contrary, will always be gay and
careless.
Again, we ask, what does he want? Does he not find in prison good
shelter, good bed, good food, high wages,[1] easy work, and, especially,
society at his choice,--a society, we repeat, which measures his
consideration by the magnitude of his crimes? A hardened convict knows
neither misery, hunger, nor cold. What is to him the horror he inspires
honest persons withal? He does not see, does not know them. His crimes
made his glory, his influence, his strength, with the ruffians in the
midst of whom he will henceforward pass his life. Why should he fear
shame? Instead of the serious and charitable remonstrances which might
compel him to blush for and repent the past, he hears the ferocious
applauses which encourage him to theft and murder. Scarcely imprisoned,
he plans fresh crimes. What can be more logical? If discovered, and at
once apprehended, he will find the repose, the bodily supplies of a
prison, and his joyous and daring associates of crime and debauchery. If
his experience in crimes be less than that of others, does he for that
evince the less remorse? It follows that he is exposed to brutal
scoffing, infernal taunts, and horrible threats. And--a thing so rare
that it has become the exception to the rule--if the prisoner leaves
this fearful pandemonium with the firm resolution to return to the paths
of honesty by excessive labour, courage, patience, and honesty, and has
been able to conceal the infamy of his past career, the meeting with one
of his old comrades in gaol is sufficient to overturn this good
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