Detective and mystery stories; Stone, Fleming (Fictitious character) -- Fiction
“Well, how did he do it?”
“With his penholder. A smooth, sharp silver penholder. And he took the
money and the ruby.”
“And how did he leave the room?”
“Don’t ask me that! That’s his secret. But, I’ve a notion he was in
cahoots with that new Jap, the one that vamoosed. I theorize,” Morton
waxed important as he noted the Prosecutor’s attention, “that the Jap had
some grudge against Waring, and it was he who branded his forehead, and
who contrived a way to leave the room locked behind him. Why, I read a
story the other day, where a key was turned from the other side of a door
by means of a slender steel bar through the key handle, and a string from
the bar, leading down and under the door. Once outside, the murderer
pulled the string, the bar turned the key in the lock, the bar fell to
the floor and he dragged it under the door by means of the string.”
“Ingenious! but it implies a door raised from the floor.”
“I know. And this one isn’t. But it all goes to prove that there can be
some way—some diabolically clever way to do the trick. And the Japanese
are diabolically clever. And so is Lockwood. And if the two worked
together they could accomplish wonders. Then Lockwood with his wooden
face, could disarm suspicion. The Jap, let us say, couldn’t, so Lockwood
packed him off.”
“Interesting—but all theory.”
“To be proved or disproved, then.”
“Yes, but meantime, you are losing time on more practical investigation.
Let’s look outside for footprints—I mean for any one coming or going from
this side entrance.”
“The French window? Nobody comes or goes that way in this weather; the
path isn’t even shoveled. That’s used mostly in summer time.”
“Nevertheless,” Cray opened the window door, “somebody has been here.”
Morton looked out and stared hard. How had he come to neglect a matter of
such importance. There were two plainly visible lines of footprints in
the snow, one quite obviously coming toward the house and one going away
from it.
“There’s your murderer,” said Cray, quietly.
“Oh, no,” but Morton wriggled uneasily. “It couldn’t be. No murderer is
going to walk through crusted snow, to and from the scene of his crime,
leaving definite footprints like those!”
“That’s no argument. He might have come here with no intent of crime, and
afterward, might have been so beside himself he couldn’t plan safely.”
“Oh, well, get what you can from them,” said Morton, pettishly. “I
suppose you deduce a tall man, with blue eyes and two teeth missing.”
“Don’t be cheap, Morton. And, on the contrary, I deduce a small man. They
are small footprints, and close together. The Japanese are small men,
Morton.”
“Well, these prints are more than twenty-four hours old, and they’re not
clear enough to incriminate anybody.”
Public-domain text, read in full here on John Shaqi.
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