"Father," said the young man, "I did what I thought was best. They kindly
offered me an honorable place at Burrough Road, and I had no expectation
of anything of the kind here, and really did not think that anyone would
object, so I accepted; that is all there is to it. I am truly sorry if
you don't like what I have done. Had I known it, I might not have been so
quick in replying. _But it is now too late_, and we must make the best of
it. But you must remember my future wife is in England."
"No! No!" interrupted Quintin, "It is not too late," and he held up the
unsent message. "It has not been sent. Here it is, and your acceptance
would be the most unnatural and ungrateful thing you could do. Here is
your father and mother. Here is one, who has been to you more than a
brother, and here is the fostermother that has fitted you for your great
career, and now offers you one of her most important professorships. We
are all aware that the girl who is to be your future wife is in England,
but think you that Eleen would urge you because of that to make the
sacrifice that your acceptance of the Burrough Road professorship
demands? No. She would say: 'We are young. We can wait. Stay with your
father and mother a while--it will be best.'"
Tom was visibly affected, and after a moment's silence he turned to
McLaren. "Carl," he said, "take the blank and fill it out as you think
best. You can sign my name," and taking Leon by the hand, together they
went out, descended the stairs, and started homeward.
Without a word, McLaren took the blank and wrote: "Honor appreciated,
but cannot accept. T. Sparrow, Professor of Greek, Monastery University."
Thus ended a most eventful day at the Monastery.
Quintin was not to be seen. His work for the day was ended when Tom told
McLaren to fill out the cablegram; he had slipped away and by this time
was in his bed, but not before he had told Cyrus to take the party back
to the farm.
End of Project Gutenberg's The Mystery of Monastery Farm, by H. R. Naylor
Public-domain text, read in full here on John Shaqi.
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