The Mystery of the LocksHowe, E. W. (Edgar Watson)
General
The Mystery of the Locks
Howe, E. W. (Edgar Watson)
City and town life -- Fiction; Man-woman relationships -- Fiction; Mystery fiction; Nebraska -- Fiction
The music began with a crash, or burst, or something of that kind, and
then ran off into an air for the baritone. This was the girl's favorite
style of playing, and there was really a very marked resemblance to a
band. There was an occasional exercise for the supposed cornets, but the
music soon ran back into the old strain, as though the players could not
get rid of the prospect of an empty house, and were permitting the
baritone to express their joint regrets. The accompaniment in the treble
was in such odd time, and expressed in such an odd way, that Dorris
could not help laughing to himself, although he enjoyed it; but finally
all the instruments joined in a race to get to the end, and the music
ceased. He started up the aisle to congratulate the player, and when
half way she said to him:
"At another time I heard a band coming up from the river. The players
seemed to be in better spirits that day"--
A distant march, and a lively one, came from the organ, and surely there
were banners in front of the players. The music gradually became louder,
and finally the girl said,--
"Now it turns the corner of the street."
Then came a crash of melody, and Dorris was almost tempted to look out
of the window for the procession that he felt sure was passing. It was
just such an air as a band-master might select to impress the people
favorably on his first appearance in a town; and every member did his
best until the grand finale, which exhausted the powers of the organ.
When the girl turned round, Dorris was laughing, and she joined him in
it.
"It is a dreadful thing for a girl to do," she said, though her face
indicated that she did not think it was so dreadful, after all, and that
she enjoyed it; "but when father comes to hear me practise, he insists
on hearing the band pieces; and he sometimes calls for jigs, and
quadrilles, and waltzes, and imitations of the hand-organ. The
hand-organs, with their crippled players, have been of great use to me,
for their music is all well arranged, and father says that if I can
equal them he will be very proud of me. Please don't laugh at the idea,
for father never says anything that is silly, and he knows good music
when he hears it. I know it is the fashion to make light of the
barrel-organ; and the people talk a great deal about bribing the players
to leave town; but father says a great many customs are not founded in
good sense, and perhaps this is one of them. We so rarely find innocent
pleasure that we should be free to enjoy it, no matter what it is, or
where found, whether custom happens to look on approvingly or not."
"I am glad you said that," Dorris returned, "for I enjoy coming here to
listen to your practising, and whether the world approves or not, I
intend to come whenever there is opportunity, and you do not object. It
is my opinion that you have never been appreciated here, and I will
repay you for the music by fully and thoroughly appreciating it. Do you
know that you are a remarkable girl?"
Public-domain text, read in full here on John Shaqi.
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