The Mysteryes of Nature and Art: Conteined in foure severall Tretises, The first of water workes, The second of Fyer workes, The third of Drawing, Colouring, Painting, and Engraving, The fourth of divers Experiments, as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Practice, and InventionBate, John
Science
The Mysteryes of Nature and Art: Conteined in foure severall Tretises, The first of water workes, The second of Fyer workes, The third of Drawing, Colouring, Painting, and Engraving, The fourth of divers Experiments, as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Practice, and Invention
Bate, John
Art -- Early works to 1800; Fireworks -- Early works to 1800; Science -- Early works to 1800; Waterworks -- Early works to 1800
Of Graving.
It is possible for one to be a good Painter, and yet not to be able to
draw well with the pen, because there is not required in a Painter such
a curious and exact carriage of the hand: but it is impossible for one
ever to Grave or Etch well, except he can draw well with the pen. First
therefore presupposing you can doe the first before you attempt the
second, you must provide divers graving tooles, both long and short:
some for hard worke, some for sweet worke, some for smaller worke, and
some for greater: also a peece of a Beaver hat, and a good oyle stone,
smoothed on one side, and free from pin holes, and plates of Copper or
Brasse exactly polished.
_Of Gravers._
There are two principall sorts of Gravers, the long and the short: the
long are straight, and for to engrave Plates withall, especially the
greater, and these are to be held as the figure following doth
expresse: where you may note that the pummell of the Graver resteth
against the ball of the thumb, and the point is guided with the
forefinger. And there ought to bee a little bagge of sand under your
Plate, to the end that you might turne your plate upon it as your worke
doth require.
[Illustration]
The second sort is a short Graver, and turneth up somewhat at the end,
and that is to engrave Letters and Scutchions in plate seales, and
smaller plates, being fastened in some convenient instrument: this must
be held likewise according unto the expression of the figure following:
where it is to be noted, that the pummell of the Graver is stayed
against the further part of the hand, and is guided by the inward side
of the thumbe. It were needfull that there were a piece of leather like
a Taylors thimble, about the end of the thumbe, waxed or glued, whereby
to guide the Graver more steadily, and stay it upon occasion.
[Illustration]
_How to make Gravers._
Provide some good crosse-bow steele, and cause it to be beaten out into
small rods, and softned: then with a good file you may shape them at
your pleasure: when you have done, heat them red hot, and dip them
straight downe into sope, and by so doing, they will bee hard indeed.
Note that if in the dipping of them into the sope, you turne your hand
never so little awry, the Graver will be crooked. These Gravers made
and hardened after this manner, doe farre exceed all the other Gravers.
If your gravers be too hard, heate them a little, and thrust them into
tallow, and they will be tougher.
The oyle stone is to whet your gravers on; drop one or two drops of
sallet oyle upon it, and whet your graver thereon, and it will have an
edge presently.
_How to smooth and pollish Copper Plates._
Because that in the printing with Copper Plates, the least scratch,
though it be scarce visible, receiveth its impression, and so many
times disgraceth the worke: I have set downe a way to smooth plates for
impression.
Public-domain text, read in full here on John Shaqi.
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