The NegroDu Bois, W. E. B. (William Edward Burghardt)
History
The Negro
Du Bois, W. E. B. (William Edward Burghardt)
Africa -- History; Black race
"The first experienced glance will here detect the fact that this nation
originally possessed a clear and definite organization so duly ordered and
so logical that we but seldom meet with its like among all the peoples of
the earth. And the basic idea of every clan's progeniture is a powerful
God; the legitimate order in which the descendants of a particular clan
unite in marriage to found new families, the essential origin of every
new-born babe's descent in the founder of its race and its consideration
as a part of the God in Chief; the security with which the newly wedded
wife not only may, but should, minister to her own God in an unfamiliar
home."[55]
The Yoruba have a legend of a dying divinity. "This people ... give
evidence of a generalized system; a theocratic scheme, a well-conceived
perceptible organization, reared in rhythmically proportioned manner."
Miss Kingsley says, "The African has a great Over God."[56] Nassau, the
missionary, declares, "After more than forty years' residence among these
tribes, fluently using their language, conversant with their customs,
dwelling intimately in their huts, associating with them in the various
relations of teacher, pastor, friend, master, fellow-traveler, and guest,
and in my special office as missionary, searching after their religious
thought (and therefore being allowed a deeper entrance into the arcana of
their soul than would be accorded to a passing explorer), I am able
unhesitatingly to say that among all the multitude of degraded ones with
whom I have met, I have seen or heard of none whose religious thought was
only a superstition.
"Standing in the village street, surrounded by a company whom their chief
has courteously summoned at my request, when I say to him, 'I have come to
speak to your people,' I do not need to begin by telling them that there
is a God. Looking on that motley assemblage of villagers,--the bold, gaunt
cannibal with his armament of gun, spear, and dagger; the artisan with
rude adze in hand, or hands soiled at the antique bellows of the village
smithy; women who have hasted from their kitchen fire with hands white
with the manioc dough or still grasping the partly scaled fish; and
children checked in their play with tiny bow and arrow or startled from
their dusty street pursuit of dog or goat,--I have yet to be asked, 'Who
is God?'"[57]
Public-domain text, read in full here on John Shaqi.
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