English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
But this orderly existence concealed conflicts of heart and mind which
Sidney himself could not have explained, could not lucidly have
described. The moral shock which he experienced at his father’s death
put an end to the wanton play of his energies, but it could not ripen
him before due time; his nature was not of the sterile order common in
his world, and through passion, through conflict, through endurance, it
had to develop such maturity as fate should permit. Saved from
self-indulgence, he naturally turned into the way of political
enthusiasm; thither did his temper point him. With some help—mostly
negative—from Clerkenwell Green, he reached the stage of confident and
aspiring Radicalism, believing in the perfectibility of man, in human
brotherhood, in—anything you like that is the outcome of a noble heart
sheltered by ignorance. It had its turn, and passed.
To give place to nothing very satisfactory. It was not a mere
coincidence that Sidney was going through a period of mental and moral
confusion just in those years which brought Clara Hewett from childhood
to the state of woman. Among the acquaintances of Sidney’s boyhood
there was not one but had a chosen female companion from the age of
fifteen or earlier; he himself had been no exception to the rule in his
class, but at the time of meeting with Hewett he was companionless, and
remained so. The Hewetts became his closest friends; in their brief
prosperity he rejoiced with them, in their hardships he gave them all
the assistance to which John’s pride would consent; his name was never
spoken among them but with warmth and gratitude. And of course the day
came to which Hewett had looked forward—the day when Sidney could no
longer take Clara upon his knee and stroke her brown hair and joke with
her about her fits of good and ill humour. Sidney knew well enough what
was in his friend’s mind, and, though with no sense of constraint, he
felt that this handsome, keen-eyed, capricious girl was destined to be
his wife. He liked Clara; she always attracted him and interested him;
but her faults were too obvious to escape any eye, and the older she
grew, the more was he impressed and troubled by them. The thought of
Clara became a preoccupation, and with the love which at length he
recognised there blended a sense of fate fulfilling itself. His
enthusiasms, his purposes, never defined as education would have
defined them, were dissipated into utter vagueness. He lost his guiding
interests, and found himself returning to those of boyhood. The country
once more attracted him; he took out his old sketch-books, bought a new
one, revived the regret that he could not be a painter of landscape. A
visit to one or two picture-galleries, and then again profound
discouragement, recognition of the fact that he was a mechanic and
never could be anything else.
Public-domain text, read in full here on John Shaqi.
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