The New York and Albany Post Road: From Kings Bridge to "The Ferry at Crawlier, over against Albany," Being an Account of a Jaunt on Foot Made at Sundry Convenient Times between May and November, Nineteen Hundred and FiveHine, C. G. (Charles Gilbert)
History
The New York and Albany Post Road: From Kings Bridge to "The Ferry at Crawlier, over against Albany," Being an Account of a Jaunt on Foot Made at Sundry Convenient Times between May and November, Nineteen Hundred and Five
Hine, C. G. (Charles Gilbert)
Hudson River Valley (N.Y. and N.J.) -- Description and travel; Hudson River Valley (N.Y. and N.J.) -- History
From the "Reminiscences" of a Kinderhooker we learn that there were
two or three stage lines whose coaches passed through the village
daily, and that the merits of their various steeds were the cause of
much local controversy around the tavern stove. The drivers "were
mainly farmers' sons, many of them well to do, selected with special
reference to sobriety as well as in handling the ribbons;" and the
heart of every lad in the village was fired with the hope that some
day he might be selected to fill that high office.
Starting again on the Post Road toward the north, we come to the
one-time Kinderhook Academy, celebrated in its day, but its day has
passed, and on the outskirts of the town pass the old cemetery where
Martin Van Buren and Jesse Merwin lie with the forefathers of the
neighborhood.
[Sidenote: _WE LEAVE THE POST ROAD._]
Here we part from the old Post Road, which continues on through
Valatie, Niverville and South Schodack to Schodack Centre, where it
joins company with the Boston Road, and together they travel through
East Greenbush to Greenbush where once was the ferry at Crawlier.
The way I took through Muitzeskill and Castleton to Greenbush, is
marked with New York and Albany guide posts, but none of the old
mile-stones adorn its path.
Ever since Rhinebeck the Catskills have been marching along the
western horizon, and while generally the river is too far away to be a
part of the picture, the country, the beautiful country, makes one
continually wonder, not that the painters of a past generation grew to
love the region and to revel in its seductive delights, but rather
that they could ever stop its delineation. The effect of the changing
light and shade and varying atmospheric conditions lend the same
enchantment that lies in the ever-changing sea.
[Sidenote: _THE DISTANT HILLS._]
About where that mystery, the county line, crosses the road, one
stands on a gentle ridge that extends the view both east and west.
Toward the latter, on this Indian Summer day were the ghosts of
mountains that in brighter times are the Catskills, while to the east
are the low-lying hills of the Taghkanic range, whose far slopes roll
down to meet the advances of the Berkshires. Beautiful undulating farm
lands lead the eye up to the distant hills on either hand, fields of
every warm tint with sentinel oaks or walnuts, and here and there the
wood-lot of the farmer. The soft browns and greens of the distant corn
stubble, or the winter barley fields with the blaze of the Frost
King's robes mellowed by the golden sun complete a picture common
enough in this wonderful valley of the Hudson, but always a
well-spring of delight for the traveler.
[Sidenote: _MUITZESKILL._]
Public-domain text, read in full here on John Shaqi.
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