A thought is like a spur. It lifts the head of a man as the spur makes
the horse toss his; and it quickens the pace with a subtle addition of
strength. Such a thought came to Buck Daniels as he stepped again on the
veranda of the hotel. It could not have been an altogether pleasant
inspiration, for it drained the colour from his face and made him clench
his broad hands; and next he loosened his revolver in its holster. A
thought of fighting--of some desperate chance he had once taken,
perhaps.
But also it was a thought which needed considerable thought. He slumped
into a wicker chair at one end of the porch and sat with his chin
resting on his chest while he smoked cigarette after cigarette and
tossed the butts idly over the rail. More than once he pressed his hand
against his lips as though there were sudden pains there. The colour did
not come back to his face; it continued as bloodless as ever, but there
was a ponderable light in his eyes, and his jaws became more and more
firmly set. It was not a pleasant face to watch at that moment, for he
seemed to sit with a growing resolve.
Long moments passed before he moved a muscle, but then he heard, far
away, thin, and clear, whistling from behind the hotel. It was no
recognisable tune. It was rather a strange improvisation, with singable
fragments here and there, and then wild, free runs and trills. It was as
if some bird of exquisite singing powers should be taken in a rapture of
song, so that it whistled snatches here and there of its usual melody,
but all between were great, whole-throated rhapsodies. As the sound of
this whistling came to him, Buck raised his head suddenly. And finally,
still listening, he rose to his feet and turned into the dining-room.
There he found the waitress he had met before, and he asked her for the
name of the doctor who took care of the wounded Jerry Strann.
"There ain't no doc," said the waitress. "It's Fatty Matthews, the
deputy marshal, who takes care of that Strann--bad luck to him! Fatty's
in the barroom now. But what's the matter? You seem like you was hearin'
something?"
"I am," replied Daniels enigmatically. "I'm hearin' something that would
be music for the ears of Old Nick."
And he turned on his heel and strode for the barroom. There he found
Fatty in the very act of disposing of a stiff three-fingers of red-eye.
Daniels stepped to the bar, poured his own drink, and then stood toying
with the glass. For though the effect of red-eye may be pleasant enough,
it has an essence which appalls the stoutest heart and singes the most
leathery throat; it is to full-grown men what castor oil is to a child.
Why men drink it is a mystery whose secret is known only to the
profound soul of the mountain-desert. But while Daniels fingered his
glass he kept an eye upon the other man at the bar.
Public-domain text, read in full here on John Shaqi.
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