The North Devon CoastHarper, Charles G. (Charles George)
History
The North Devon Coast
Harper, Charles G. (Charles George)
Devon (England) -- Description and travel
It is the only instance in which this explorer has observed ghostly
associations so thoroughly exploited; but, truth to tell, they are of
the vaguest. When a “ghost story” has many and diverse variants, you
instinctively discredit every one, and here the versions are many.
Most of them, also, are irreconcilable with the hard, uncompromising,
indisputable facts of building construction. For example, the most
popular variant, that which tells how, at some period unnamed, the
farmer discovered by accident the “haunted room,” is wildly wrong in
describing the appearance the house now wears, and has always worn.
According to this precious effort of a disordered imagination, the
farmer was seated one summer evening in the courtyard, lazily smoking
his pipe and thinking, with the typical farmer’s usual dissatisfaction
upon matters agricultural, while his wife was down at Ilfracombe (or
rather, “down _tu’_ Cume,” as we say in these parts) selling her
poultry, butter, and eggs. While thus occupied, he suddenly bethought
him of a hole in the roof, through which the rain leaked into his
wife’s store-room. He had promised her he would see to it, and, as he
went rather in fear of his “missus,” faced his chair round suddenly
and contemplated seeing to the business before her return. Now the
store-room window was the only one with a parapet in front, and
therefore easily distinguishable from the other four that looked down
from the roof on to the courtyard. But now (he had never before thought
of counting them) he totted up five windows. This was odd! He reckoned
up: “Our Sal’s bedroom--window lighting passage--store-room--our
bedroom: total four windows accounted for. What unsuspected chamber
did the fifth light? He settled that by calling some half-dozen of his
farm-hands. Together, with pick and spade, they entered the house and
ascended the stairs, and commenced operations on the staircase wall,
at a likely spot, where blows resounded hollow. Soon the cob wall
went down before the onslaught, and presently the farmer and his men
found themselves in a long, low room, hung with moth-eaten, mouldering
tapestry, whose every thread exhaled the moist rank odour of forgotten
years; black festoons of ancient cobwebs in the rattling casement and
round the carved work of the open cornice; carved oak chairs, wardrobe,
and round table, black too, and rickety, dust-covered, and worm-eaten;
the white ashes of a wood fire on a cracked hearthstone, and a bed,
whose embroidered hangings were drawn closely around the oaken posts.”
The farmer’s wife had by this time returned home, and was seen and
heard in the choking dust, urging her astonished husband, “if he were
a man,” to “dra’ them cuttens.” Thus impelled, he drew them--with
a trembling hand, be sure of that--and there, resting on the bed,
was disclosed an ancient skeleton. The woman fainted and her husband
carried her out. That night he saw to it that the mysterious room was
again securely walled up.
Public-domain text, read in full here on John Shaqi.
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