English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
“Hear me, great Judges; if you have not lost
For my sake all your charities, I beseech you
Let the King know my heart is full of penitence;
Calm his high-going sea, or in that tempest
I ruin to eternity. O, my lords,
Consider your own places and the helms
You sit at; while with all your providence
You steer, look forth and see devouring quicksands!
My ambition now is punished, and my pride
Of state and greatness falling into nothing;
I, that had never time, through vast employments,
To think of Heaven, feel His revengeful wrath
Boiling my blood and scorching up my entrails.
There’s doomsday in my conscience, black and horrid,
For my abuse of justice; but no stings
Prick with that terror as the wounds I made
Upon the pious Admiral. Some good man
Bear my repentance thither; he is merciful,
And may incline the King to stay his lightning,
Which threatens my confusion, that my free
Resign of title, office, and what else
My pride look’d at, would buy my poor life’s safety;
Forever banish me the Court, and let
Me waste my life far-off in some mean village.”
After the Chancellor’s sentence, his secretary says:--
“I could have wished him fall on softer ground
For his good parts.”
Bacon’s monument, in St. Michael’s Church at St. Alban’s, was erected
by _his_ secretary, Sir Thomas Meautys. Bacon did not appear at his
trial; but there are several striking parallels between his letters of
confession and the speech you have just heard.
Another posthumously published tragedy of Chapman’s, the “Revenge for
Honor,” is, in conception, the most original of them all, and the plot
seems to be of his own invention. It has great improbabilities, but as
the story is Oriental, we find it easier to forgive them. It is, on the
whole, a very striking play, and with more variety of character in it
than is common with Chapman.
Public-domain text, read in full here on John Shaqi.
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