In the first place, instead of being a Bible story, it is an allegory, something like the allegory of the _Pilgrim’s Progress_. Just as Christian, the “Pilgrim,” stands for any human being born into this world and passing through it on his way to another life, so Everyman means just what the word says. Every man or woman of us. _Everyone_, in fact; since every one of us is born into this world and, after journeying through life, has to pass out of it at the gate of death. Though the play is so old (it was first written and acted, perhaps, in the reign of Henry V), it remains true for people who live nowadays, and for the people who will live after us. Not only because it is true, but also because it is so dignified and touching, certain people who lately read it, thought that it might very well be acted again, and presented as nearly as possible in the same way as it was played by actors in bygone days—five hundred years ago. So men and women were found to study it, to learn the parts, and to copy old dresses for the characters, and the first revival performance of _Everyman_ was given in London some years ago, in the open air, at Charterhouse, the old city school for boys. Since then it has been acted in many theatres, but perhaps that first performance was the best of all, because the play, like all other miracle plays, was meant to be acted out of doors, and Charterhouse, with its old courtyard and its old grey walls, was the best frame that could possibly have been devised for an old play. In the courtyard of Charterhouse, then, a big wooden platform or scaffolding was set up, close against the wall of the school chapel. Steps at either end of the platform led down to the cobble-paved yard, and on the wooden stage itself, there were one or two little recesses, like shrines, hidden by curtains. There was no other scenery. Some of the spectators sat on benches in front of the platform, and all the windows looking into the courtyard were filled with people, just as the windows overlooking that market-place in York were crowded, when miracle plays were acted long ago. And just as some of those plays began with the coming of a herald to explain what was going to take place, so this play of _Everyman_ began with the appearance of a messenger or _doctor_. He was dressed in a long black gown, something like those still worn by the dons and students at Oxford or Cambridge. Round his neck was a white ruff, and on his head a flat cap of velvet. Coming from one of the doorways which opened into the courtyard, he walked towards the platform, ascended its steps, and addressed the audience, beginning with these words. Messenger: “I pray you all give your audience, And hear this matter with reverence, By figure a moral play— The _Summoning of Everyman_ called it is, That to our lives and ending shows How transitory we be all day. This matter is wondrous precious, But the intent of it is more gracious And sweet to bear away.”