Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
Mr. Critchlow confronted her. And he had no more pity for the wife than
for the daughter. He was furiously angry because his precious property
had been irretrievably damaged by the momentary carelessness of a silly
girl. Yes, John Baines was his property, his dearest toy! He was
convinced that he alone had kept John Baines alive for fourteen years,
that he alone had fully understood the case and sympathized with the
sufferer, that none but he had been capable of displaying ordinary
common sense in the sick-room. He had learned to regard John Baines as,
in some sort, his creation. And now, with their stupidity, their
neglect, their elephants, between them they had done for John Baines.
He had always known it would come to that, and it had come to that.
"She let him fall out o' bed, and ye're a widow now, missis!" he
announced with a virulence hardly conceivable. His angular features and
dark eyes expressed a murderous hate for every woman named Baines.
"Mother!" cried Sophia, "I only ran down into the shop to--to--"
She seized her mother's arm in frenzied agony.
"My child!" said Mrs. Baines, rising miraculously to the situation with
a calm benevolence of tone and gesture that remained for ever sublime
in the stormy heart of Sophia, "do not hold me." With infinite
gentleness she loosed herself from those clasping hands. "Have you sent
for the doctor?" she questioned Mr. Critchlow.
The fate of her husband presented no mysteries to Mrs. Baines.
Everybody had been warned a thousand times of the danger of leaving the
paralytic, whose life depended on his position, and whose fidgetiness
was thereby a constant menace of death to him. For five thousand nights
she had wakened infallibly every time he stirred, and rearranged him by
the flicker of a little oil lamp. But Sophia, unhappy creature, had
merely left him. That was all.
Mr. Critchlow and the widow gazed, helplessly waiting, at the pitiable
corpse, of which the salient part was the white beard. They knew not
that they were gazing at a vanished era. John Baines had belonged to
the past, to the age when men really did think of their souls, when
orators by phrases could move crowds to fury or to pity, when no one
had learnt to hurry, when Demos was only turning in his sleep, when the
sole beauty of life resided in its inflexible and slow dignity, when
hell really had no bottom, and a gilt-clasped Bible really was the
secret of England's greatness. Mid-Victorian England lay on that
mahogany bed. Ideals had passed away with John Baines. It is thus that
ideals die; not in the conventional pageantry of honoured death, but
sorrily, ignobly, while one's head is turned--
And Mr. Povey and Constance, very self-conscious, went and saw the dead
elephant, and came back; and at the corner of King Street, Constance
exclaimed brightly--
"Why! who's gone out and left the side-door open?"
Public-domain text, read in full here on John Shaqi.
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