Country life; London (England) -- Description and travel; Natural history -- Outdoor books
The reaper had risen early to his labour, but the birds had preceded
him hours. Before the sun was up the swallows had left their beams in
the cowshed and twittered out into the air. The rooks and wood-pigeons
and doves had gone to the corn, the blackbird to the stream, the finch
to the hedgerow, the bees to the heath on the hills, the humble-bees to
the clover in the plain. Butterflies rose from the flowers by the
footpath, and fluttered before him to and fro and round and back again
to the place whence they had been driven. Goldfinches tasting the first
thistledown rose from the corner where the thistles grew thickly. A
hundred sparrows came rushing up into the hedge, suddenly filling the
boughs with brown fruit; they chirped and quarrelled in their talk, and
rushed away again back to the corn as he stepped nearer. The boughs
were stripped of their winged brown berries as quickly as they had
grown. Starlings ran before the cows feeding in the aftermath, so close
to their mouths as to seem in danger of being licked up by their broad
tongues. All creatures, from the tiniest insect upward, were in reality
busy under that curtain of white-heat haze. It looked so still, so
quiet, from afar; entering it and passing among the fields, all that
lived was found busy at its long day's work. Roger did not interest
himself in these things, in the wasps that left the gate as he
approached--they were making _papier-mache_ from the wood of the top
bar,--in the bright poppies brushing against his drab unpolished boots,
in the hue of the wheat or the white convolvulus; they were nothing to
him.
Why should they be? His life was work without skill or thought, the
work of the horse, of the crane that lifts stones and timber. His food
was rough, his drink rougher, his lodging dry planks. His books
were--none; his picture-gallery a coloured print at the alehouse--a
dog, dead, by a barrel, "Trust is dead! Bad Pay killed him." Of thought
he thought nothing; of hope his idea was a shilling a week more wages;
of any future for himself of comfort such as even a good cottage can
give--of any future whatever--he had no more conception than the horse
in the shafts of the waggon. A human animal simply in all this, yet if
you reckoned upon him as simply an animal--as has been done these
centuries--you would now be mistaken. But why should he note the colour
of the butterfly, the bright light of the sun, the hue of the wheat?
This loveliness gave him no cheese for breakfast; of beauty in itself,
for itself, he had no idea. How should he? To many of us the
harvest--the summer--is a time of joy in light and colour; to him it
was a time for adding yet another crust of hardness to the thick skin
of his hands.
Public-domain text, read in full here on John Shaqi.
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