Country life; London (England) -- Description and travel; Natural history -- Outdoor books
That and his new pair of boots, not yet
finished, represented the golden harvest to him. He lodged with his
parents when at home; he was so far fortunate that he had a bed to go
to; therefore in the estimation of his class he was not badly off. But
if we consider his position as regards his own life we must recognise
that he was very badly off indeed, so much precious time and the
strength of his youth having been wasted.
Often it is stated that the harvest wages recoup the labourer for the
low weekly receipts of the year, and if the money be put down in
figures with pen and ink it is so. But in actual fact the pen-and-ink
figures do not represent the true case; these extra figures have been
paid for, and gold may be bought too dear. Roger had paid heavily for
his half-sovereign and his boots; his pinched face did not look as if
he had benefited greatly. His cautious old father, rendered frugal by
forty years of labour, had done fairly well; the young man not at all.
The old man, having a cottage, in a measure worked for his own hand.
The young man, with none but himself to think of, scattered his money
to the winds. Is money earned with such expenditure of force worth the
having? Look at the arm of a woman labouring in the
harvest-field--thin, muscular, sinewy, black almost, it tells of
continual strain. After much of this she becomes pulled out of shape,
the neck loses its roundness and shows the sinews, the chest flattens.
In time the women find the strain of it tell severely. I am not trying
to make out a case of special hardship, being aware that both men,
women, and children work as hard and perhaps suffer more in cities; I
am simply describing the realities of rural life behind the scenes. The
golden harvest is the first scene: the golden wheat, glorious under the
summer sun. Bright poppies flower in its depths, and convolvulus climbs
the stalks. Butterflies float slowly over the yellow surface as they
might over a lake of colour. To linger by it, to visit it day by day,
at even to watch the sunset by it, and see it pale under the changing
light, is a delight to the thoughtful mind. There is so much in the
wheat, there are books of meditation in it, it is dear to the heart.
Behind these beautiful aspects comes the reality of human labour--hours
upon hours of heat and strain; there comes the reality of a rude life,
and in the end little enough of gain. The wheat is beautiful, but human
life is labour.
THE MODERN THAMES
I
Public-domain text, read in full here on John Shaqi.
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