Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
In the city of Mexico, a man goes to the circus without descending in
any way to infant amusements, because the Circo Teatro Orrin is one
of the best in the world, and too easily surpasses anything of the
kind in the United States, where it is merely a matter of a number of
rings, if possible, and a great professional agreement to lie to the
public. Moreover, the American clown, who in the Mexican arena prances
and gabbles, is the clown to whom writers refer as the delight of their
childhood, and lament that he is dead. At this circus the kid was not
debased by the sight of mournful prisoner elephants and caged animals
forlorn and sickly. He sat in his box until late, and laughed and swore
when past laughing at the comic foolish-wise clown.
When he returned to the Casa Verde there was no display of the Frisco
kid and Benson. Freddie was leaning on the bar listening to four men
terribly discuss a question that was not plain. There was a card-game
in the corner, of course. Sounds of revelry pealed from the rear rooms.
When the kid asked Freddie if he had seen his friend and Benson,
Freddie looked bored. "Oh, yes, they were in here just a minute ago,
but I don't know where they went. They've got their skates on. Where've
they been? Came in here rolling across the floor like two little gilt
gods. They wobbled around for a time, and then Frisco wanted me to send
six bottles of wine around to Benson's rooms, but I didn't have anybody
to send this time of night, and so they got mad and went out. Where did
they get their loads?"
In the first deep gloom of the street the kid paused a moment debating.
But presently he heard quavering voices. "Oh, kid! kid! Com'ere!"
Peering, he recognized two vague figures against the opposite wall. He
crossed the street, and they said--"Hello-kid."
"Say, where did you get it?" he demanded sternly. "You Indians better
go home. What did you want to get scragged for?" His face was luminous
with virtue.
As they swung to and fro, they made angry denials. "We ain' load'! We
ain' load'. Big chump. Comonangetadrink."
The sober youth turned then to his friend. "Hadn't you better go home,
kid? Come on, it's late. You'd better break away."
The Frisco kid wagged his head decisively. "Got take Benson home first.
He'll be wallowing around in a minute. Don't mind me. I'm all right."
"Cerly, he's all right," said Benson, arousing from deep thought. "He's
all right. But better take'm home, though. That's ri--right. He's
load'. But he's all right. No need go home any more'n you. But better
take'm home. He's load'." He looked at his companion with compassion.
"Kid, you're load'."
The sober kid spoke abruptly to his friend from San Francisco. "Kid,
pull yourself together, now. Don't fool. We've got to brace this ass of
a Benson all the way home. Get hold of his other arm."
Public-domain text, read in full here on John Shaqi.
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