The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
The first time in his boyhood that he had seen birds resembling these,
in that they looked dark against the sky, an old crone had crossed
herself and muttered, “there go the birds of famine.” Here in this land
it was otherwise, these birds were the wise prophets, seeing spring from
afar. Moreover, best of all the signs, in the field above the pond, the
fall wheat had raised its green ribbons far enough to flutter in the
breeze that whispered as it ran, “Summer, harvest, bread!”
The twilight began to deepen, and the purple bars locked the horizon
against the warmer rays. A mist rose from the pond as high as Ivan’s
heart and chilled it. A merry little screech-owl whose quavering call
belied its feelings, flapped over to its nest in an abandoned dove-cote.
Suddenly the frogs began to croak, “If she shouldn’t come, suppose they
do not come!”
“Maybe that they are dead,” throbbed Ivan’s heart, as though responding
in a litany. And why not? The last letter was more than three months
back; life had been hard to Maria, she told of work in many places, and
in Peasant Russia winter is a demon who travels with famine for horses
and wolves for his hunting pack!
There was a harsh bird cry in the distance. Far overhead, a second,
nearer, clear and sonorous, then a dark arrow clove the dusk, fell
swiftly, broke into feathered fragments, as with some little manœuvring
and splashing, the wild-goose flock settled upon the forge pond. Then
the pendulum of hope swung back toward Ivan. At the same time, the
postman’s white-topped wagon with its sliding door stopped at the four
corners. Peter Salop, preparatory to his evening gossip, shuffled his
mail deftly in his big hands as one who had been in the haste of
commercial life, at the same time giving a whistle and then calling,
“Hi, Ivan, are you there? Here’s a letter, a _Roosian_ letter,” he
added, as the man came forward, half eager, half reluctant with dread.
Then as he saw the cramped, thin writing by the light of the carrier’s
lantern, Ivan’s face relaxed. No, Maria was not dead, she could write
her own letters to him,—a proud distinction. Content with this, he put
the letter inside his shirt, gave a silent good-night greeting to his
employer, and balancing his little can of milk carefully, hurried along
the Lonetown cross-road that wound toward the north between forge and
farm.
For half a mile he kept on the road that twisted and circled until he
reached a crudely fashioned gate in the loosely piled stone fence;
opening it, he went up a straight dirt path edged with bits of stone to
the door of a small house, took a key from his pocket, and let himself
in.
Public-domain text, read in full here on John Shaqi.
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