The Ordeal: A Mountain Romance of TennesseeCraddock, Charles Egbert
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The Ordeal: A Mountain Romance of Tennessee
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Fiction
One sombre hour succeeded another as if the succession were endless.
Long, long before there was the sense of a boreal dawn in the chill
darkness, the house stood in readiness, though none came. The servants
were presently astir; the fires were freshly flaring, the furniture
rearranged. In view of the freeze, the gardener had seen fit to cut all
the blooms in the pit to save them from blight, and a great silver bowl
on the table in the hall, and the vases in the library, were filled with
exotics. The fragrance oppressed Lillian in some subtle sort; the spirit
of the scene was so alien to the idea of festival or function; the dim
gaunt morning was of so funereal an aspect; the gathering of household
companions, gloomy, silent, expectant, into one room duly set in order,
was so suggestive, that the array of flowers and the heavy perfumed air
gave the final significant impression of douleur and doom.
At the first glimpse of dawn, Gladys had despatched a groom, well mounted
and with a fresh led horse, out on the road to descry perchance some
approach of Mr. Bayne, to afford assistance if this were needed. Hours
went by, and still there was no news, no return of the messenger. Now and
again Mrs. Briscoe sought to exchange a word with Mrs. Marable to relieve
the tension of the situation; but the elder lady was flabby with fatigue;
her altruistic capabilities had been tried to the utmost in this long
vigil and painful excitement, which were indeed unmeet for her age and
failing strength. She did not enter into the troubled prevision of
Gladys, who had been furtively watching a strange absorption that was
growing in Lillian's manner, a fevered light in her eyes. Suddenly, as if
in response to a summons, Lillian rose, and, standing tall and erect in
her long black dress, she spoke in a voice that seemed not her own, so
assured, so strong, monotonous yet distinct.
Public-domain text, read in full here on John Shaqi.
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