The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
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The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
"'Least, I can pretty nigh neighbour it with a guess," said the
farmer. "We an't good friends, Sir Austin, me and your son, just
now--not to say cordial. I, ye see, Sir Austin, I'm a man as don't
like young gentlemen a-poachin' on his grounds without his
permission,--in special when birds is plentiful on their own. It
appear he do like it. Consequently I has to flick this whip--as them
fellers at the races: All in this 'ere Ring's mine! as much as to
say; and who's been hit, he's had fair warnin'. I'm sorry for't, but
that's just the case."
Sir Austin retired to communicate with his son, when he should find
him.
Algernon's interview passed off in ale and promises. He also assured
Farmer Blaize that no Feverel could be affected by his proviso.
No less did Austin Wentworth. The farmer was satisfied.
"Money's safe, I know," said he; "now for the 'pology!" and Farmer
Blaize thrust his legs further out, and his head further back.
The farmer naturally reflected that the three separate visits had
been conspired together. Still the baronet's frankness, and the
baronet's not having reserved himself for the third and final
charge, puzzled him. He was considering whether they were a deep, or
a shallow lot, when young Richard was announced.
A pretty little girl with the roses of thirteen springs in her
cheeks, and abundant beautiful bright tresses, tripped before the
boy, and loitered shyly by the farmer's armchair to steal a look at
the handsome new-comer. She was introduced to Richard as the
farmer's niece, Lucy Desborough, the daughter of a lieutenant in the
Royal Navy, and, what was better, though the farmer did not
pronounce it so loudly, a real good girl.
Neither the excellence of her character, nor her rank in life,
tempted Richard to inspect the little lady. He made an awkward bow,
and sat down.
The farmer's eyes twinkled. "Her father," he continued, "fought and
fell for his coontry. A man as fights for's coontry's a right to
hould up his head--ay! with any in the land. Desb'roughs o' Dorset!
d'ye know that family, Master Feverel?"
Richard did not know them, and, by his air, did not desire to become
acquainted with any offshoot of that family.
"She can make puddens and pies," the farmer went on, regardless of
his auditor's gloom. "She's a lady, as good as the best of 'em. I
don't care about their being Catholics--the Desb'roughs o' Dorset
are gentlemen. And she's good for the pianer, too! She strums to me
of evenin's. I'm for the old tunes: she's for the new. Gal-like!
While she's with me she shall be taught things use'l. She can
parley-voo a good 'un and foot it, as it goes; been in France a
couple of year. I prefer the singin' of 't to the talkin' of 't.
Come, Luce! toon up--eh?--Ye wun't? That song about the
Viffendeer--a female"--Farmer Blaize volunteered the translation of
the title--"who wears the--you guess what! and marches along with
the French sojers: a pretty brazen bit o' goods, I sh'd fancy."
Public-domain text, read in full here on John Shaqi.
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