The Ordeal of Richard Feverel — Volume 6Meredith, George
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The Ordeal of Richard Feverel — Volume 6
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
"Hush!" Lucy admonished her, and crooned over the child on her knees.
The tiny open hands, full of sleep, clutched; the large blue eyes started
awake; and his mother, all trembling and palpitating, knowing, but
thirsting to hear it, covered him with her tresses, and tried to still
her frame, and rocked, and sang low, interdicting even a whisper from
bursting Mrs. Berry.
Richard had come. He was under his father's roof, in the old home that
had so soon grown foreign to him. He stood close to his wife and child.
He might embrace them both: and now the fulness of his anguish and the
madness of the thing he had done smote the young man: now first he tasted
hard earthly misery.
Had not God spoken to him in the tempest? Had not the finger of heaven
directed him homeward? And he had come: here he stood: congratulations
were thick in his ears: the cup of happiness was held to him, and he was
invited to drink of it. Which was the dream? his work for the morrow, or
this? But for a leaden load that he felt like a bullet in his breast, he
might have thought the morrow with death sitting on it was the dream.
Yes; he was awake. Now first the cloud of phantasms cleared away: he
beheld his real life, and the colours of true human joy: and on the
morrow perhaps he was to close his eyes on them. That leaden bullet
dispersed all unrealities.
They stood about him in the hall, his father, Lady Blandish, Mrs. Doria,
Adrian, Ripton; people who had known him long. They shook his hand: they
gave him greetings he had never before understood the worth of or the
meaning. Now that he did they mocked him. There was Mrs. Berry in the
background bobbing, there was Martin Berry bowing, there was Tom Bakewell
grinning. Somehow he loved the sight of these better.
"Ah, my old Penelope!" he said, breaking through the circle of his
relatives to go to her. "Tom! how are you?"
"Bless ye, my Mr, Richard," whimpered Mrs. Berry, and whispered, rosily,
"all's agreeable now. She's waiting up in bed for ye, like a new-born."
The person who betrayed most agitation was, Mrs. Doria. She held close
to him, and eagerly studied his face and every movement, as one
accustomed to masks. "You are pale, Richard?" He pleaded exhaustion.
"What detained you, dear?" "Business," he said. She drew him
imperiously apart from the others. "Richard! is it over?" He asked what
she meant. "The dreadful duel, Richard." He looked darkly. "Is it
over? is it done, Richard?" Getting no immediate answer, she continued--
and such was her agitation that the words were shaken by pieces from her
mouth: "Don't pretend not to understand me, Richard! Is it over? Are
you going to die the death of my child--Clare's death? Is not one in a
family enough? Think of your dear young wife--we love her so!--your
child!--your father! Will you kill us all?"
Public-domain text, read in full here on John Shaqi.
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