Such was the foundation, such the building of the Empire, and these are the title-deeds which even in its first beginnings this land can show. And of the inner race character as representative of the whole Teutonic kindred, the testimony is not less sure. What a heaven of light falls upon the Hellas of the Isles, that period of its history which does not begin, but ends with the Iliad and with the Odyssey--works that sum up an old civilization! Already is born that beauty which, whether in religion, or in art, or in life, Hellas made its own for ever. And it is not difficult to trace back the descent of the ideal of Virgil and of Cicero to the shepherds and outlaws of the Seven Hills. The infinite curiosity of Persia, the worshipper of flame, is anticipated on its earliest monuments, and the mystery of Egypt is coeval with its first appearance in history. But of England and the Teutonic race what shall one say? A characteristic universal in Teutonic history is the extent to which the speculative or metaphysical pervades the practical, the political, and social conditions of life. Freedom and deathless courage are its inheritance; but these throughout its history are accompanied by certain vaguer tendencies of thought and aspiration, the touch of things unseen, those impulses beyond the finite towards the Infinite, which display themselves so conspicuously in later ages. In the united power of these two worlds, the visible and the invisible, upon the Teutonic imagination, in this alternate sway of Reality and Illusion, must be sought the characteristic of this race. In the Faust legend, which, in one form or another, the race has made its own, it attains a supreme embodiment. In the Oriental imagination the sense of the transiency of life passes swiftly into a disdain for life itself, and displays itself in a courage which arises less from hope than from apathy or despair. But the death-defiant courage of the Viking springs from no disdain of life, but from the scorn of death, hazarding life rather than the hope upon which his life is set. This characteristic can be traced throughout the range of Teutonic art and Teutonic literature, and even in action. The spirit which originates the _Völker-wanderung_, for instance, reappears in the half-unconscious impulses, the instinctive bent of the race, which lead the brave of Europe generation by generation for two hundred years to the crusades. They found the grave empty, but the craving of the heart was stayed, the yearning towards Asgard, the sun-bright eastern land, where were Balder and the Anses, and the rivers and meadows unfading, whence ages ago their race had journeyed to the forest-gloom and mists by the Danube and the Rhine, by the Elbe and the Thames. Thus, then, as Beauty is impersonated in Hellas, Mystery in Egypt, so this attribute which we may name Reverie is impersonated in the Teutonic race.