The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
Now that the principle of the interindividual diffusion of feeling has
been stated and explained, we may return to our main line of research
and examine its bearings on the expressional impulse. We have seen that
in the social surroundings of the individual there is enacted a process
resembling that which takes place within his own organism. Just as
functional modifications spread from organ to organ, just as wider and
wider zones of the system are brought into participation in the primary
enhancement or inhibition, so a feeling is diffused from an individual
to a circle of sympathisers who repeat its expressional movements.
And just as all the widened “somatic resonances” contribute to the
primary feeling-tone increased strength and increased definiteness, so
must the emotional state of an individual be enhanced by retroactive
stimulation from the expressions by which the state has, so to say,
been continued in others. By the reciprocal action of primary movements
and borrowed movements, which mutually imitate each other, the social
expression operates in the same way as the individual expression. And
we are entitled to consider it as a secondary result of the general
expressional impulse, that when mastered by an overpowering feeling
we seek enhancement or relief by retroaction from sympathisers, who
reproduce and in their expression represent the mental state by which
we are dominated.
In point of fact we can observe in the manifestations of all strong
feelings which have not found a satisfactory relief in individual
expression, a pursuit of social resonance. A happy man wants to see
glad faces around him, in order that from their expression he may
derive further nourishment and increase for his own feeling. Hence the
benevolent attitude of mind which as a rule accompanies all strong and
pure joy. Hence also the widespread tendency to express joy by gifts
or hospitality. In moods of depression we similarly desire a response
to our feeling from our surroundings. In the depth of despair we may
long for a universal cataclysm to extend, as it were, our own pain.
As joy naturally makes men good, so pain often makes them hard and
cruel. That this is not always the case is a result of the increased
power of sympathy which we gain by every experienced pain. Moreover,
we have need of sympathetic rapport for our motor reactions against
pain. All the active manifestations of sorrow, despair, or anger which
are not wholly painful in themselves are facilitated by the reciprocal
influence of collective excitement. Thus all strong feelings,
whether pleasurable or painful, act as socialising factors.[120] This
socialising action may be observed at all stages of development. Even
the animals seek their fellows in order to stimulate themselves and
each other by the common expression of an overpowering feeling. As
has been remarked by Espinas, the flocking together of the male birds
during the pairing season is perhaps as much due to this craving for
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